One man fights to give his family a future in a world crippled by disease where medical care is controlled by a totalitarian regime.大名(míng )鼎鼎的私家(🙌)侦(🤠)探(🤸)赫(hè )邱(🙄)里·波洛接受伦敦首富(fù )撒旦·巴特(tè )斯的邀请，出席(💠)撒(👺)旦(dàn )在(zài )他(tā )超级(jí )豪华的公寓里举办的一(yī )次特(🤘)殊私人(rén )聚会，同时接(👊)受邀(yāo )请的，还有(🈸)著(➡)名侦(zhēn )探小说(🐨)作家(🥋)奥(ào )利弗太太、警察局惠勒探长、长(zhǎng )期从事(🈺)政府秘密工作的休斯上校(📸)、罗伯茨医生、(🐞)劳莱默夫人、梅(🔎)杰(🌂)·德(🌱)斯(sī )帕德(dé )少校、安妮·梅(📞)雷(léi )(⏳)迪思小姐(jiě )。绅(👛)士般的寒暄介绍之(zhī )后，撒(🛃)旦以(yǐ )主(🧘)人的身份举杯致辞，随后(🚩)安(ān )排八(🏸)名客人分两桌打起(🈳)了桥牌，自己则坐到壁炉前(qián )的(👼)一把高靠背(✒)椅上，手里(lǐ )端着酒杯(🚓)，小事休息。午(🍉)夜(🗒)时(shí )(🏆)分(fèn )，罗伯特(⛎)医生第一(yī )(🍈)个起身告辞，发现歪(🦐)靠在椅子上的撒旦已(🐑)经死亡，一把镶着宝石的尖刀直插(🏒)心脏(🎆)。除了八个应邀而来的客(🧔)人，在不到(😓)两个半小时的时间里(🏫)兴(xìng )致(zhì )昂然(rán )的玩着自(zì )己手里的(de )(🤫)牌，再(🍆)没有(yǒu )管(🌄)家、也(yě )没有仆人，更没有人进来，那(🛥)么是谁(shuí )杀死(sǐ )(🌥)了撒旦先生(shēng )呢(🚖)？杀人的动(dòng )机又(🥡)是什么呢(🐔)？(🔦)波洛先生(shēng )迅速(sù )与同桌打牌的奥(💙)立弗(fú )太太、惠勒探长(🏥)、(🤯)休斯上校(🙎)展(zhǎn )开分析，分析的(🗄)结果(🀄)是，凶(xiōng )(💻)手是另一张(🈶)牌桌(zhuō )(🍑)上的四个(🌥)人中的(🍢)一个。同(tóng )是(🏺)侦(😓)探专家，波(bō )洛与奥立弗太太、惠勒探(tàn )(🏃)长(zhǎng )、休斯上校当即对其(qí )他四(sì )个人进行(háng )调(diào )(🤮)查，同一张(zhāng )牌(pái )(📑)桌玩牌的四个人反应各一：罗伯茨医生觉得撒旦先生狂妄(🐑)伤人(rén )，劳(👚)莱墨夫人(📘)认为撒旦生(shēng )性恶毒，安妮·梅雷(📮)迪思小姐从心(xīn )(🛀)里(🈳)害怕撒(sā )旦先生，梅(méi )杰·德斯帕德少校(✉)很讨厌撒旦先生难(nán )闻(wén )的(🏐)体味。当然，这些都不足成为杀(🚁)害撒旦(🎴)的动机，可是谁又知(🔔)道其中(zhōng )的(de )隐情？像撒旦先生这(zhè )样身家来(lái )历(lì )不(bú )明、(🗣)过着豪富生活、结交(✝)八(🎂)方(fāng )宾(🔦)客(🍝)的(🐻)神秘(🔪)人(rén )物，是不(🔰)是掌握不(bú )该掌(🤣)握的秘密而(ér )(♊)遭致杀身之后呢(ne )？波洛先生的调查(💺)从牌桌上的一张计分表(biǎo )开始(shǐ )，四个人(😯)不同(tóng )个(gè )性逐(😫)渐显现，因此引(🐕)出的涉案各(gè )方(fāng )人物更多不为人(rén )知的犯罪事(♓)实、乃至丑(chǒu )闻一(yī )一浮出水面。此片(📛)根(😾)据英国小说家佛(fó )罗伦斯蒙哥(📎)马利(❎)原作改编(biān )而成(chéng )。叙述英(Ⓜ)国驻意大(dà )(🥚)利大(dà )使邓(🏾)肯在妻子去世后，与两(liǎng )名幼子之间的故事(shì )(㊙)。安(🖇)东尼奎(kuí )尔主(⛲)演(yǎn )，获1966年(♊)意大利电影新(xīn )闻(🕝)记(🆔)者协会银丝带(🕐)奖(jiǎng )(🛠)和1967年戛纳(nà )(🏞)电影(yǐng )节金(jīn )(🤼)棕(zōng )榈提名。The Taylor family has long awaited this moment. The final bequest of Malcolm Taylor, a millionaire missing nearly seven years and about to be declared dead, will go into effect and his heirs will own his Sans Souci estate. But �(🎄) just like that � dreams of wealth and power slip from everyone�s grasp. There, standing inside Sans Souci and very alive, is Malcolm. Kent Smith (Cat People) portrays a hard?luck vagrant and Malcolm look?alike manipulated by a shady attorney (Robert Douglas) into posing as the millionaire. Will anyone see through the ruse � the wife (Viveca Lindfors) who detested Malcolm, the brother (John Alvin), the secret lover (Janis Paige)? Mystery and murder darken the film noir doorstep in This Side of the Law.Emanuelle Around the World (Emanuelle - Perché(🌨) violenza alle donne?), also known as The Degradation of Emanuelle and Emanuelle Versus Violence to Women, is a 1977 sexploitation film by Italian director Joe D'Amato, starring Laura Gemser and George Eastman. The film was one of the most expensive films ever made in Italy at that time, not just in cast but in locations. The filming was done in many countries; Hong Kong, Iran, India, America and in a studio in Italy. It features a notable cast, including Gemser, Karin Schubert, Ivan Rassimov and Eastman.One-off special of the comedy investigating the fallout of Kerry's criminal activity, eight months after she became embroiled in her devious dad's plans. As the police net tightened Kerry was left with a choice - save Martin or herself.邪恶的(de )宇(yǔ )宙(🤖)海盗迪恩（胡谦(😥) 配(🆕)音）得(dé )(🧗)到了(🚼)能(néng )(➰)够吸(xī )收力量的(de )魔石，妄图(tú )凭此(cǐ )统治(💧)宇(🎡)宙，天蛇(🛩)星少主缪斯（(🛎)李(lǐ )晔(yè ) 配(pèi )音）的能量被魔(🔺)石吸收(🌕)，性命岌岌(👃)可危，为了挽救(jiù )缪斯(sī )，耶里梅斯出(🧝)发寻(🛺)找(zhǎo )正气(qì )之铁(🛰)，希(xī )望(wàng )能够将它(tā )打(dǎ )造成煞魔圣剑，将(jiāng )迪恩彻底打(dǎ )败。这(🍰)是一部(🥤)青春、励(🗨)志(zhì )、情(🌇)感电影，讲述(shù )(🔔)一群即(jí )将走(zǒu )出大学校园的大四(😓)学(xué )生的(🚓)激情和梦想，前(qián )卫(wèi )时尚的(de )再(🙃)现当代大学生绚(🕒)丽多(🕧)彩的(🎆)校(xiào )园(yuán )(👺)青(🐘)春生活(huó )。表现她们(🔬)爱情上的坎坷(kě )和在(zài )创(chuàng )业上的波(💩)折，在经历生活残酷(👾)洗礼之后，对未来(🦗)的人生(🍾)充满更多(duō )美好憧憬和期(🍉)待。这是一个(gè )体现当代大学(🚮)生与(yǔ )时代(❕)接轨，面(miàn )对困难和挫(🏳)折永不(👼)妥(tuǒ )协，最(zuì )(📀)后(❇)收(shōu )获友(yǒu )情、爱情和成长的故(gù )事。Min-seo在(zài )一(yī )个思想极为(🕔)封闭的家庭中成长(💟)，因此(💴)对男性非常抗拒，常(⛓)常自备一把(bǎ )银妆刀(dāo )傍身，以作不时(shí )之需。当Min-seo踏进大学之门后，对周遭的男人就更(gèng )为(✒)抗拒。An impressive documentary in which Kazuo Hara tackles an unusual and highly personal subject: his former girlfriend, Takeda Miyuki. In many ways this film feels like a home movie, with the eventual out of sync sound and the occasionally blurry cinematography. It is also, however, an impressive personal and subjective documentation of a relationship as well as an example of alternative lifestyles in 70’s Japan. During 3 years Kazuo Hara follows his ex-lover, a feminist, bisexual and independent woman. The most impressive parts come from the highly personal moments (and some could argue, for the voyeuristic pleasure of the spectator) such as when Miyuki is having a new relationship with a black American man and when she gives birth to his child, all alone in her bed. Even at a time today when the personal lives of many people are bared in all fronts, from internet to reality shows, this film still stands out. After all, there is a major difference to simply being shown someone else’(📃)s life for TV ratings and having it candidly discussed from a first person point of view.拖着(🍹)久病不堪的(de )身子、带着事隔二(èr )十年的(de )仇怨，蓝玉山(🐞)和女儿蓝(📵)蝴蝶回(huí )到(dào )了地(🔦)处(⏱)陕(🕍)北高原的(✝)沙(shā )河镇。二十(📖)年过去了，当年杀妻夺子(zǐ )的仇(🏧)人吴子雄凭借其在沙(shā )河(hé )一带开(🛺)设的(😕)灵(líng )芝堂药(yào )(🛍)铺，如(🌼)今已是(shì )富甲一(yī )方的(de )贵人。在第(dì )(💥)一次夜袭吴(wú )子雄未果后(hòu )，蓝蝴(😇)蝶把爹安顿在(zài )沙(👯)河镇(zhèn )外一间破败(🔏)的土坯(pī )房里，一(yī )边养伤治病，一边伺机再来(lái )。When a woman and her boyfriend are injured in a car crash, he is left with a leg injury which requires them to hire a nurse, but the woman they select is more trouble than she appears.苍茫的荒(🐏)漠(🛎)中，远(yuǎn )远可见一名白袍男(🦖)子、撑(chēng )着一把细(xì )花纸伞(🐐)、骑在驴(lǘ )背上、正(zhèng )随手编写着(📘)一本(🏩)黄(💎)历…