贾(🌠)古(👷)（(🔨)安努舒卡·莎玛 Anushka Sharma 饰）意外邂逅(hòu )(🥈)了名为萨弗拉(lā )兹（苏翔特(tè )·(🎾)辛·拉(👋)哈普特 Sushant Singh Rajput 饰）的男子，趣味相投的(de )(🛺)两人很快(🥞)走到了一起。然而，萨弗拉(🕕)兹是巴基(jī )斯坦人，他(tā )的(de )国籍和(hé )(🔩)信仰(🌚)令这段(🛑)恋情遭到了贾(💱)古(🦗)家(jiā )人的极力反对(duì )。不(bú )仅如此(cǐ )，贾古父亲信(xìn )仰(🙄)的(㊙)教主塔帕(💪)斯维（沙鲁(lǔ )巴·舒克拉(🧤) Saurabh Shukla 饰(shì )）更是预(🕯)言(🌮)萨(sà )弗拉兹(🈁)注定要(💹)欺骗(🏉)和(🥊)抛(pāo )弃贾古。为了证明预(➡)言的荒(🌹)谬，贾古(🥋)决定同萨弗拉兹(zī )闪(📟)婚，然而(ér )，婚礼当天(tiān )，贾(🤔)古等到的却是一(🔤)封分(💏)手(📸)信。After the death of his parents, Pierre (Patrick Norbert) is forced to care for his younger sister Nathalie by committing petty crimes. In a recurring motif of Blain’(🔚)s cinema, Pierre is taken under the wing of an older gay man, Hubert (Michel Subor), who offers him work and financial security; but when Hubert makes advances to him, Pierre robs him and takes up with a group of radical leftists who are planning terrorist attacks. Without employment, Pierre loses Nathalie to child services and spirals into desperation, finally erupting in an act of horrific violence. An x-ray showing the largely undiagnosed sickness of its time, and a stern warning to ours.一部刻划(huá )“父(🚥)权(quán )阴影"的亲情喜剧，由编剧(jù )(📒)马(mǎ )克斯(㊗)．阿普尔根(gēn )据他祖父(🕠)的真实故(gù )事发展而(ér )成。主人翁是一名(míng )波兰裔的老面包(🅰)师父(fù )洛基(👺)，他的孙(🆚)子麦克五岁时(shí )(🈵)父(fù )母(mǔ )双亡，开始跟他(🚳)同住，但直(🕓)至麦克长大成人，结了(le )婚(hūn )，生了(le )孩子，洛基却仍然想(xiǎng )左右他的(de )生(shēng )活。导演彼得(dé )．耶茨(cí )(🕠)将这部(bù )描述祖(🌁)孙(🏋)情的电影拍得相(xiàng )当(dāng )幽(👍)默风趣，也(yě )有不(bú )少感人的时刻。彼得．福尔克化(huà )(📖)老装饰演(🏺)这(zhè )个(gè )古怪而固执的祖父(📄)，无论化妆和表演都令人(🐝)激赏，还(hái )曾经(jīng )提名奥斯(sī )卡最(🐞)佳化妆奖。上海美(🏩)术电影制片厂 彩色纽(niǔ )约的皮(pí )条客是怎(zěn )(🚌)么(🏺)样的？是(shì )腰缠万贯(🤚)的(de )富翁吗(ma )？在夏威夷(🎼)有别墅吗？这可能吗？看(🏁)似不可能(🕖)的(🉐)事情(🙈)不幸(xìng )被记(jì )(🐽)者(🎁)乔那森(sēn )瞎编了(le )出来，而且一炮打响一夜走(🙉)红的，可怕的事情发(fā )生(💠)了……Paris, 1955. Philippe Leclerc is overjoyed: he has just been granted the fellowship he applied for and he will be able to study for a year at the prestigious Asheland-Stuart University of Virginia. Once on the spot, he discovers how different the South of the USA is from his native France and the period of adjustment is no bed of roses, notably when he mistakes American football for soccer while playing a game and becomes the laughing stock of the college. Philip nonetheless gains the friendship of the captain of the team and gradually adapts to his new environment, discovering American literature through the lectures of a fascinating professor, rock and roll and jazz, among other things. A Southern belle, Sue Ann, falls for his French charm but, unfortunately for her, her love is unrequited and she breaks down nervously as a result. As for Philippe he falls madly in love with April, a beautiful Black domestic worker...ล่วงล้ำสู่แดนอ(🎴)ั(〽)นตราย ตำนานแห่(🦈)งป่ามรณะ ที่ไม(🔊)่(🤘)เค(✊)ยม(💽)ีใค(🈲)รได้(💯)ก(🤛)ลับออกมา กลุ(🌙)่มโจรซ(👽)ึ่ง(📉)แห(🎄)กคุกออกมาจับเวทไปเป็(📄)น(🐤)ตั(🚶)วประกั(🛏)น(😰) พร้อมก(👙)ับออลี สาวชาวป(🌎)่(🙎)าที่มีความชำนาญด้า(📂)น(🌆)สมุนไพร(😷)แ(💤)ละกา(🐓)รเดินป่(👜)า พวกโจรต้อง(🌤)การให้ออลีนำ(⛏)ท(😯)า(🐼)งไ(🧝)ปชายแดน และที่นั้(⛱)นคือจุดเริ(🏈)่ม(🦌)ต้นของความสยองขวัญแล(🚕)ะควา(⛳)มน่าสะ(🍂)พรึง(🍉)กลั(♎)ว เมื่(💦)อพวกเ(🍥)ขาได้ก้าวล้ำเข้(😨)าสู่แด(😄)นของอสูร(🚠)กา(🔉)ย สัต(🍇)ว์สัง(✨)หารที่จ(🐇)ู่โจมด้ว(🚟)ยคมเล็(✈)บและเขี้ยวมรณะ พวกเ(🛣)ขาจึงต้องหา(💴)ทางหนีให้เร็ว(⛹)ที่ส(⏪)ุดก่อนที่(👎)จะไม่มีชีวิตรอดอ(🌉)อก(🛐)ไป...Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran.该片主要描(⤵)述刑(xíng )警追(🍈)缉(jī )(🔞)罪犯的故事，黄(🤥)正民饰演被称为(wéi )“韩国FBI”的广域调查队刑警徐道(🕹)哲(📖)（音(🆖)）(🗡)，是一(yī )位极具(😝)使命感(🍕)，同时又富有人(🎸)情味(wèi )的警察，刘亚仁则饰(shì )演“富(🐧)三(🕉)代”赵泰晤（音），虽然表(biǎo )面上(🎼)显得(😲)自信十足(😢)，但内心里却(🐪)隐(👀)藏着(zhe )不为人知的(de )自卑。实力派(🚶)演员刘海(hǎi )镇饰演赵泰晤(wù )(🌥)的(de )帮手崔常(cháng )务(wù )，吴(wú )达洙饰演徐(🤢)道哲的助手吴组(zǔ )长(zhǎng )。安(🚶)吉(jí )拉(🍱)，达里奥(🤷)，卡门(✝)，蜜雪儿和尼诺(😲)生活毫无(🍺)交集，直(🌧)到他们(men )得知(zhī )他们有一个(gè )共同的父亲，刚刚(gāng )过世(Ⓜ)。为了继承遗产(💜)，他们需要共同启程将父亲(💥)的骨(gǔ )灰撒在美国亚(yà )(🧟)利(lì )桑(🏄)那州的一(⌚)个(🙇)湖(hú )中。一个从(cóng )未接触过的亲身父亲(🌾)，一个从(cóng )未去(qù )过(guò )的(💮)陌生国度，几个从未谋面(miàn )的兄(xiōng )弟姐(🌚)妹，加剧(jù )了(le )旅(lǚ )(📛)途(😩)的未(wèi )(🚀)知性，但(🖊)也许(💠)会给他们(📈)每(🚀)个人留下深刻(kè )回(⛲)忆，并(bìng )感受到骨肉相连的亲情。杨(yáng )(🕹)恭如重返(fǎn )大(😻)银幕 启(🅿)航(🎻)之作《玉女胜典》。想当年，在(zài )电影(yǐng )《风云(🧥)》里暂(🔢)露头(🌚)角的杨恭如被大家奉为新一(🕸)代玉女(nǚ )掌门。此次签约(🚦)新东家，杨恭如的归来(💣)之作选择了电影(yǐng )《玉女胜典》。除了主演该片，杨恭如这次还将投身幕后(💐)，担任影(🐬)片的(de )制(zhì )片人，为(wéi )将来打好基础(chǔ )。A compilation of short films by various directors self-subtitled "ABC of Madness".金が(🌸)絡ん(👕)だ(🦔)恨(😨)み話を集めたオムニバス・ショート(📦)ホラー。金(🗄)によ(🌱)って心(xīn )(🤟)を惑(huò )わされ、そこから生み出(🥞)さ(🐠)れた恨みは死(sǐ )んで(🎎)もなお生者に襲い掛(guà )か(🎏)る。