《全景监(jiān )狱》（The Panopticon）讲(jiǎng )述了一(yī )个男(nán )人(🎗)收到一(🥈)条来自未来(lái )的讯息，未来(lái )的他告诉(👋)现在的(🎏)他，世界即(jí )(📼)将毁灭，这个(gè )男人必(🎩)须解(🗄)开重重(🕖)的疑团，阻止世界(jiè )末日的(🚥)到来(🕌)。两伊战(zhàn )争期(🗑)间，一(✖)位伊朗的老(🚑)音乐家突(🤯)然(rán )收到了来自远(yuǎn )方伊(yī )拉克老情人(🌚)的紧急求助信(xìn )。于是(shì )(💱)他带(dài )领(lǐng )着两个儿子出发(fā )了(le )。当他找(🏂)到了老情人的时候，她已经被萨达姆的(🥫)化(huà )学武器损(🚻)伤了声带和面容，丈(zhàng )夫也(yě )(🥕)死于战争。她(🤖)将孩(hái )(🕯)子交给(gěi )了老(lǎo )人(rén )，却没有与老(lǎo )人见面。这(zhè )部(⛏)电影记(jì )叙(🤷)了连尼·麦克林(lín )的一生。二十世纪七十年代(📧)，伦(lún )敦东区，连(lián )尼是一名年轻的(💸)街头(🐞)斗(dòu )士，他与罗伊·肖经过三场(chǎng )无(🖍)执照拳(🔥)击(🚡)大赛(sài )(📞)，最终(🚽)获(huò )得冠军头衔(😳)“老大”。1998年，连尼客串了电影"两杆(gǎn )大烟枪"，在(zài )票房排(⏺)行榜排(pái )第一的同一天，兰尼的自(🐱)传也占了榜(🐅)首地位。A banjo player seeks fame, success, and respect.A woman tries to kill herself and ends up in the hospital. She escapes and wanders into the desert. There she comes upon a roadside bar where she gets extremely drunk with the locals and a mysterious man, who seems to be shy of policemen. She wakes up in bed with the stranger, not remembering much from the night before, in a nearby abandoned house and finds out that she got married to him at the bar. They try and find an answer to their lives and love in this isolated nowhere.Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.又到了(le )毕(🧥)业季，面对(👀)即(jí )将要失去“自由(🎨)”的压力(🍲)，秦正楠(🎈)、冷峰、南(nán )宫(🎆)建、郑浩(🎩)宇(yǔ )这四(sì )位高(🚝)富帅决定用(yòng )一场游戏的(de )(🐥)方式来(🛏)寻(xún )找生(shēng )命中的(de )真命(🅰)天女(nǚ )，遭(⏪)遇(yù )了(le )不同的女孩(🚀)，让这(zhè )四位放(⚫)荡不羁(jī )(🎵)的浪子(zǐ )对爱情(qíng )(🎪)和人(rén )生有了新的认识，从(cóng )幼稚(zhì )的青涩走向了成熟。面对家族早已制定好的道(dào )路，他(tā )们不再(zài )无奈(🚟)接受，而是勇敢(⚓)追求(😛)自己(🥌)的梦想，而与他(🍰)们出(chū )身(shēn )不同另一个星(xīng )球的黄(👏)一凡的出现，也让他们的计划出现了变故……米基洛克饰演一(yī )位重刑(xíng )犯麦可(kě )，他高(😝)达一百(🍕)八(⛱)的智商，早就熟读了所有的法律(lǜ )条(🎄)文(👕)，更知(zhī )他(tā )该如何(hé )为自己开罪，他凭(🚱)他(🤘)个人魅力(lì )(♎)，教(jiāo )年轻女律师珊(🌇)德拉（琳达希克鲁(🤞)斯饰）(😒)帮他跟(gēn )法(fǎ )官要求(🚆)假释(shì )；当然(🏸)他希望(🅾)自(zì )己除此之外还(♎)有其他(tā )的机会(huì )可(🤢)以离开监(🆙)狱……痴(chī )漢の指に感じてしまいながら(🕋)も、みゆきは何とかそこから逃(👣)げ延びる。数日(😜)後、急患が(💑) 勤務先の病(😕)院に担ぎ込まれ(🌼)るが、みゆ(🚗)きはその男の顔を(💥)見て愕然(rán )と(🦂)する。何と(🏄)その急(😇)患 ・倉(cāng )持こそ、(🌙)みゆきが(👁)遭遇した(👓)痴漢(👢)だった(✂)！为纪(jì )(🐈)念中日(rì )邦交正常化(huà )30周年(nián )(🈯)，“中(📛)日友好(🚀)之夜”东(dōng )(🖊)京大型音乐歌舞晚会(huì )系(🎱)列(liè )活动(dòng )(☝)于2002年(nián )(🌅)10月(yuè )(⛔)9日在日(📥)本东(dōng )(👰)京隆重举行。Divorced career woman's life changes when she is beaten and robbed by a street gang.一(😍)对中(🍖)年兄弟在父亲的(🐏)葬(zàng )礼当晚相约喝酒，酒酣(hān )耳热之际两人互(hù )相抬(🦃)杠(🦀)，朦(🏆)胧间(🏍)却铸下大(😰)错，酒醒后两人安稳地回到各(🛎)自(zì )的现实(🔆)生活。埃(🛩)杜与罗拉是一对新婚(hūn )(⛽)的(de )夫妻。由于(🐥)丈夫经(jīng )常外(wài )出旅(lǚ )行(🛠)，两人(rén )(🏎)对此产生矛盾。在一次争吵(🗺)中，埃杜试(shì )图(⌛)像往(wǎng )常一样(yàng )装死来逃避问题，不料发现自己(🎅)真的死在了(🕵)床上。埃(āi )杜的灵魂进(🎥)入了另(lìng )(🤫)一个世(shì )界，他(🖇)再(zài )也看不到活(huó )(🛌)生生(🥞)的妻子。为了(le )再见一(yī )面(😀)伤心欲绝的爱妻，埃杜(dù )向(xiàng )另一(👈)个灵魂(🌊)求助。终于，在棺材合(😺)上的刹那(nà )，埃(āi )杜活了(le )过来，并于罗拉共度(🚏)了(🌃)最后一个(👂)夜晚。