나(🌠)미는 가(⛲)정주부 소연의 소(🔼)개로 만난(🕟) 대학(🔱)강사 박성희의 아파트에 동거하면(🗼)서 그의 변칙적 애정생(❣)활에 회의(😎)를 느(⚫)끼며 불안(🎩)해한(🗄)다(🛍). 나미의(🙍) 남자친구 수일은 그녀의 육체를 요구(🙁)하나 나미가 거절하자 소원한 관계가 된다(🌚). 한편 소연은 남(🦗)편의 외도에 괴로워하다가 준이(🤠)라는 젊은이(🙀)를 알게 되어(🍄) 그에게 이끌리면서도 자책에 빠져 고(🐀)민한다. 결국 수(🗳)일과 나미는 절교(🍑)하(👊)고 남편에게 준(➡)과(🏻)의 만남을 목격당한 소연은 자살의(🔈) 길을 택(🐡)한다. 눈(😙)이 내리는 날 수일에게 다시 만나자는 연락을 받은 나미는 소연의 죽음을(🍁) 통해(🕕) 인생과 사랑의 의미를 깨닫(🤼)고, 자신(💑)이 걸어온 길(🏸)을(❄) 뒤돌(⏺)아본다(👅).Sufjan Stevens is proud to present The BQE, a cinematic suite inspired by the Brooklyn-Queens Expressway and the Hula-Hoop. Commissioned by Brooklyn Academy of Music (BAM), The BQE was originally performed in the Howard Gilman Opera House in celebration of the 25th anniversary Next Wave Festival in October of 2007. The Brooklyn-Queens Expressway is an incidental 12.7 miles of urban roadway built over the course of several decades (1939-1964), spear-headed by the master architect Robert Moses to accommodate for the increase of commercial and commuter traffic in New York City's outer boroughs. The roadway was a painstaking piecemeal project, poorly planned, badly built, and relentlessly encumbered by the obvious obstacles of the era: red tape, neighborhood protests, World War II, and a congested borough whose sequestering layout proved ill-fitting for the automobile. The resulting expressway-a pockmarked, serpentine, congested BQE-has become one of Brooklyn's most notable icons of urban blight. And, for Sufjan Stevens, an object of unmitigated inspiration. The official album release of The BQE follows nearly two years after its original performance at BAM, providing the songwriter (and his various collaborators) ample time to wrestle out all the thematic incarnations of the project, and to attempt an appropriation of Wagner's Gesamtkunstwerk ("total work"). The resulting album might be best described as a grand creative franchise-incorporating movie, symphony, comic book, dissertation, photography, graphic design, and a 3-D Viewmaster® reel-in which a songwriter's interrogation of one of New York's ugliest landmarks expands athletically to forums and formulas outside of the song itself. In fact, the BQE is everything but a song. First and foremost, The BQE is a self-made home-movie documentation, exhibiting how all the architectural colors of Brooklyn and Queens are fabulously intersected by this ramshackle artery of highway traffic. Shot renegade style on do-it-yourself film cameras, the animated footage of grid-lock crisscrossing the brick and mortar of Brooklyn flickers and cascades Koyaanisqatsi-style on three simultaneous screens. The 16mm cinematography (heroically shot by Reuben Kleiner on a 1960s Bolex) utilizes time-lapse photography, in-camera editing, slow motion, and post-production mirror effects to transform urban blight into a splendor of graphic compositions. The BQE is also accompanied by an idiosyncratic musical soundtrack (composed by Stevens for band and chamber orchestra), evoking a romanticized musical choreography of perpetual motion vs. gridlock. Borrowing variously from Gershwin, Terry Riley, Charles Ives, and Autechre (to name a few), the music showcases skittish woodwinds wrestling out impressionist articulation (in 7/8) and imperial brass anthems evoking various incarnations of the music of the automobile. Further Information: The BQE is available as a double-disc format (CD/DVD), which includes the original 16mm/8mm film (in widescreen "triptych" display), the original motion picture soundtrack, a 40-page booklet (with extensive liner notes and photographs), and the stereoscopic image reelis close to Christmas. In a snow covered landscape in the countryside of Norway we meet 12 year old CECILIE , her friend KLARA and Cecilie's family . They are all preparing for Christmas Eve. Cecilie, however, is seriously ill and spends most of her time in bed, daydreaming about the Spanish boy SEBASTIAN who she met on holiday last summer. One night ARIEL shows up in Cecilie's bedroom, a small strange looking fellow who claims he is an angel and starts talking to Cecilie about the wonders of life. Cecilie finds Ariel quite irritating, but they agree that if Cecilie tells Ariel how it feels to be a human being, Ariel will tell Cecilie about angels and the mysteries of the universe. "Through a Glass, Darkly" is a moving, magic and playful story about a young girl who, at the end of her life, learns to accept death and understands how wonderful life really is. The script is based on the novel "Through a Glass, Darkly" by world famous Norwegian author Jostein Gaarder ("Sophie's World").一名(🖥)黑(hēi )人流(liú )浪汉，靠(☝)政府(fǔ )发(🔌)放食品度(dù )日。一天发(fā )(🚳)放(fàng )食品的工(gōng )作人员说(⏳)可(❔)以给他介绍一份工作，并(bìng )给(🚍)了他20元(yuán )，让他去(qù )找一个(gè )人(rén )。他(🛫)被(🍳)一群人带到了森林的别(bié )墅里(🍞)，告诉他这(🦊)个游戏的赏(🐌)金，大(💟)家一起(qǐ )住(zhù )了一晚上。第二天，游戏(xì )开(🍅)始了(🔝)，这(zhè )名(🛁)流(liú )浪汉才知(zhī )道原来(lái )他是要做大(dà )家枪下(xià )猎物，他怎样才能逃出森林？本片(🈹)讲述的是一个(gè )惊悚(👳)的故事，故事围(🔎)绕着(zhe )四(sì )个个(gè )性不(🛐)同同的(de )艺(yì )术家展(zhǎn )开，充足的理由(🧘)能使任何(hé )一个成(chéng )为可疑的凶(🤖)手(💹)或(huò )者杀(shā )害(🎇)者之一(🧡)，到底谁是最(zuì )(💴)后(hòu )的胜(shèng )利者(zhě )呢？当(dāng )米(mǐ )里亚(yà )姆（蕾(lěi )雅(yǎ )·德吕盖(🐥) 饰）(🙈)跟丈夫安(ān )托万·北松(sōng )（德尼·梅诺(nuò )谢 饰）离婚后，她(tā )希(xī )望12 岁(suì )(🕠)的儿(🐃)子朱利安（托马斯·吉(jí )(🔶)奥(👴)利(🖨)亚）(🚣)能够远离拥有(yǒu )暴力(lì )倾向(🔄)的父亲，故向(🚕)法庭申请单独扶养权。然而安托(tuō )万成(🐑)功在庭(💬)上说服法官(guān )，法官最终判处双方(fāng )拥有共(🤙)同(🛀)监护(🃏)权。大受打(😧)击(🎾)的米里(🎪)亚(yà )(🥕)姆(mǔ )除了要接受未如所(suǒ )愿(🐖)的裁(cái )(🗒)判外，还要提(🎌)防前夫别有用心(🍧)的父亲。面(🚨)对水火不容的双亲(qīn )，身处夹(🐘)缝中的朱利安不得(🕛)不想尽一切(👺)办法(😓)，阻(zǔ )止家庭危(wēi )机。瑞吉(🤩)娜是一个(👆)卡(🏃)车服务站的一个小厨师，她一直梦想(😫)着(zhe )有一(yī )家属于自己的小餐(😲)厅。马塞尔是(🍅)一家意大利餐(cān )厅的(🍡)二星级厨师，一次偶尔机会认识了瑞吉娜。白(bái )(🧥)露（甘露 饰）是含(💣)着金汤匙出(chū )生的富家小姐，尽(jìn )管从小(♉)到大都(🖤)过着衣食(shí )(😜)无(👠)忧的富裕生活，但白露(🚩)却(què )并不快乐，因为随着(zhe )年龄(🏎)的(👧)增长(zhǎng )，父母(♟)在(zài )未经她同意的情况下(👾)，擅自将她许配给了一位他(💖)们物设好(hǎo )的高(🐯)富帅。奇怪的開始，奇(🧗)怪的電影(yǐng )！《我的死神女友》主要(👤)讲述了一个平凡(💐)小人物(wù )化身(🈲)超(chāo )能(néng )英雄，拯救记忆(🈁)中(🖍)爱人的故(gù )事。春(🌽)春(chūn )每当和男(🎻)友亲密(🛹)时就会浮现(xiàn )古代(dài )女子的(de )(📕)身(shēn )影，春(chūn )春和潘金莲灵(🐍)魂附(🙇)于一体后，两个古今(🌨)女人在一(yī )个(gè )(🥟)身体里(lǐ )，发生了(🍌)一(☔)系列的啼(tí )笑(xiào )皆非的(🤪)故事，春(chūn )春(chūn )体会到(🥨)原来作(😂)为当今女性(㊗)能自(😉)由选择爱情(🎅)的是(✈)多(duō )么(me )幸福(fú )，于是开始(🔻)更(🐢)加珍惜当下的生活和(hé )拥(🎗)有的爱情。永乐春(🈵)本是(🔪)著(zhe )名戏(xì )班，惟(wéi )文武生靓仔荣嗜赌成性，丑生蛇王锦又染上烟瘾，花旦花碧莲更爱乱发(🚛)脾气(🔂)，导致班(🚜)运(yùn )日益衰落。一次，班主苦心求得戏院(❇)黄(🌽)经(jīng )理签约(yuē )(🔤)数天，正考虑(lǜ )续期之(🛹)际，三台柱再度误场，致令(🧠)续期(📢)无望。一(yī )日，班主(🎷)与众(zhòng )人到餐室闲聊，刚巧黄(😊)经理(lǐ )(🚰)与在戏院售票的干女儿(🌐)月娟(juān )到此(🔆)聚餐，蛇王(🥦)锦对月娟(juān )一见(jiàn )钟(zhōng )情，央求班主代(dài )(🧒)为约会，月娟(juān )欣然答允(🛺)。黄(huáng )经理一向对(duì )月(yuè )(🧝)娟别有(🚳)用心，得(dé )知(🎰)此事后愤(fèn )而(😉)辞退月娟。月娟遂往投靠戏班，并积极(🈶)协助蛇(shé )王锦戒烟。为戏班前(📯)途着想，靓仔(zǎi )荣(🍤)再度立誓(shì )戒赌，并向(🏘)一直相爱(🏸)的(de )碧(😂)莲(🕞)求婚(📤)成功。新婚之(zhī )(🌄)夜，靓仔(🕘)荣竟又不敌(dí )赌(🐮)瘾(yǐn )，碧莲愤而离去。靓仔荣(róng )悔(huǐ )(👆)恨(hèn )不已，决心戒(jiè )赌(dǔ )(🐻)。为了协助蛇(shé )王(wáng )锦戒烟，靓仔荣(🛶)假装与(👗)月娟相恋，骗(piàn )得蛇(🕒)王(🐼)锦企(qǐ )图自杀而错(🚖)饮(🥥)戒烟水。最后，靓仔荣，蛇(shé )王锦(jǐn )二人成功戒除(chú )恶习(xí )，碧莲亦与靓仔荣重修旧(jiù )好(hǎo )(💜)，永乐春从此班运亨通Jack 到 Amsterdam 來尋找(🛵)久未(🤠)見(🌚)面的爸爸。找(💗)到(dào )後，發(fā )現爸爸(bà )的(de )咖(🍝)啡廳已(💪)經(jīng )(📤)搖搖(yáo )欲墜，可能(👘)馬上就要(🎥)關(guān )門(mén )大吉了。父(🏢)子(🍉)兩個必須團結起來改變這個(👉)糟糕的(de )情況(kuàng )。他(🎀)們(men )開啓了體驗(yàn )Amsterdam 的魔(mó )幻之旅(👝)。在此瘋狂過程中，Jack 發行一(yī )(🌝)項很強的祕密武(🏄)器，可(kě )(🏴)能會接觸咖啡廳的(de )危機。