萧(xiāo )成均(jun1 )踩着同袍的血(🐠)一步(➗)步的(🛳)登(dēng )上(shàng )了(le )大将(jiāng )军的位置，位(👦)高权(🌼)重。当年被萧(🌨)(xiāo )暗害(hài )的8位(wèi )将领(lǐ(🚡)ng )的后(🧢)代(🗿)，几经(Ⓜ)周折(😈)终于齐聚(jù )一(yī )起(👥)(qǐ )，商(🛸)议找萧(💽)报仇(⌚)，但是萧本身(shēn )武功(gōng )高超(chāo )，其(qí )手(🕓)下总(🐐)管万顺带领(♉)的九狐鞭阵更(gèng )是(🕹)威(wē(🤜)i )力(lì(🧡) )无(wú )比(🆒)，要杀萧必须先破九狐(hú(🍣) )鞭阵(🌃)(zhèn )……(🍒) 关于(😷)(yú )导演：导演松本俊夫为日本(🎓)60年代(🎬)(dài )独(♈)立(lì )电影(yǐng )三大(dà )支柱之一与(🐃)寺山(🔆)修司、大(dà(🍸) )岛(dǎo )渚(zhǔ )齐名(míng )。日本著(🏿)名的(🌱)“影(🌰)像艺(🐪)术与(💧)科学(xué )”社(shè )团的(de )社(🗽)长(zhǎ(👌)ng ), 60年代他(😚)和大(😽)岛渚、佐藤忠男(nán )、若(ruò )松(sōng )孝二(🥙)、筱(🖖)田正浩等人(😁)创办杂(zá(🐉) )志，直(🛫)接推动(🔤)了日本新浪潮电影运动(🧣)(dòng )的(🐾)产(chǎn )生(💹)(shēng )。1968 年(🍂)松本俊夫替ATG拍摄了首部(bù )剧情(🦃)(qíng )长(🗞)片(pià(🈳)n )《蔷(qiáng )薇的葬列》，这部电影被称为(🏁)日(rì(⛳) )本新(xīn )浪潮(🏻)(cháo )先声(shēng )之作，也是开启(🔫)日本(🤰)电(🗻)影(yǐ(🔜)ng )同(tó(🕦)ng )性(xìng )恋文(wén )化的第(🦅)一部(🙋)作品。全(💁)片演(🆒)员皆是(shì )真实(shí )的同(tóng )性恋(liàn )者，情(⛺)节暴(🔍)力、反叛，混(📧)合(hé )剥(bāo )削片(piàn )、(🤣)纪录(🐅)片等(🗺)众多元(🈚)素，充满(mǎn )反俄(é )狄浦(pǔ(📱) )斯情(💡)(qíng )结的(🌰)意味(📈)，对日本战后高速发展(zhǎn )的经(jī(👀)ng )济(jì(🛄) )背后(🎠)种种社会问题提出批判(pàn )，注(zhù(🔹) )定一(🗨)(yī )开始(shǐ )就(😎)受到非议。这部影片也被(♋)许多(🔧)(duō(😝) )评论(🚻)(lùn )家(🐭)认(rèn )为对后来库布(🛄)里克(🌖)的《发条(🚈)橘(jú(🚀) )子》有直(zhí )接影响（人物造型以及里(🕢)面的(🐛)暴(bào )力场(chǎ(🆒)ng )景）。之(zhī )后陆续拍(🎸)摄了(🎶)《修罗(🐘)》（1971）、(🌒)《十(shí )六岁的战争》（1973），并(🤚)且根(🥌)(gēn )据日(🗺)(rì )本(✨)著(zhe )名作(zuò )家梦野久作的同名侦(📿)探小(🤝)说拍(🔢)摄(shè )了《脑(nǎo )髓地狱》（原著被称(🔂)为日(📦)本(běn )第一(yī(🔙) )部魔(mó )幻侦(zhēn )探小说，石(💉)井聪(🆒)亘(🍋)也拍(🚚)摄过(🏏)他的(de )《梦(mèng )幻银(yín )河(📍)》）等(🦔)。 艾万斯(🖌)先生(🔡)是个尖(jiān )酸刻(kè )薄、争强好胜的舞(🔐)蹈团(🥇)负责人，就连(🙂)(lián )在路(lù )上开(kāi )车(🈯)时(shí(👠) )遇到(🐳)红灯他(🍱)都要争头位停车(chē )。为了(👞)(le )舞蹈(🛸)团即将(⛵)要举(📚)行的全球巡(xún )演，他亲(qīn )自上(shà(🐭)ng )阵排(🐯)练舞(🕤)蹈并指导乐队演奏。一(yī )遍一(yī(🆘) )遍(bià(🐵)n )辛苦的排练(🅱)过后，一名舞蹈(dǎo )演员(yuá(⏯)n )承受(🧠)(shò(⏳)u )不了(🏞)(le )这么(🗼)高强度训练而决定(🛅)放弃(🍋)，但(dàn )最(💉)主(zhǔ(🌛) )要的(de )原因还是她准备要结婚了。艾(à(🙅)i )万斯(🥒)(sī )的这(zhè )个(🍠)舞团就像一个修道(😣)院，除(⏱)他和(🐓)(hé(🔠) )侄子(🌃)(zǐ )飞利(lì )浦和(hé )乐队成(👂)员外(😀)，剩下都(😿)是女(🖌)性(xìng )。在舞(wǔ )团不允许谈恋爱、(🗾)结婚(💥)，甚(shè(🏻)n )至不(bú )能靠(kào )近男(nán )人，艾万斯(🏝)开办(🛣)了空手道课(🎣)程，教这(zhè )些(xiē )女孩子如(🐠)何回(⬇)击(🏦)与她(📦)们攀(🅿)谈(tán )的男(nán )人。除此(📃)(cǐ )之(✝)外，为了(🎹)保证(🍹)每个舞蹈演员都(dōu )有完(wán )美的(de )体型(🔺)，在每(⬅)次开饭之前(😴)，都要(yào )她们(men )过秤(chèng )称体(🐋)重，体(🌙)重(☕)不达(🐎)标不能吃饭还(hái )要做(zuò(🚍) )剧烈(❎)(liè )运动(🎖)(dòng )。在(🆘)一次夜晚的常规寻房中(zhōng )，领队(duì )佛(🕍)朗索(💓)瓦丝偷偷潜逃，她来(lái )到了(le )一个(⚫)(gè )游(🍷)船(chuán )派对与(👯)一名男子偷情，两人相约(👴)(yuē )两(🕘)天(tiān )后(🕒)(hòu )要(➕)见面的事被跟踪而至的(💄)艾(ài )万(👹)斯(sī(🙎) )先生(shēng )听到(dào )。于是回到住处，艾万斯(🕰)就开(🕡)始(shǐ )酝酿(nià(❇)ng )计划(huá )，编造谎言让菲利(🚖)普误(🏫)以(🕚)为佛(🎀)(fó )朗索(suǒ )瓦丝(sī )喜欢他(😄)，从而(😏)布局成(🔠)功阻(🈴)止了佛(fó )朗索(suǒ )瓦丝(sī )和那(nà )个男(👌)人的(🏃)约会。全球巡演正(zhèng )式(shì )开始(shǐ(🤽) )，舞团(😳)在艾万斯的(🛄)带领下先(xiān )后完(wán )成了(🐩)(le )巴黎(🕥)(lí )、莫(🚘)斯科(🛌)、纽约、柏林等地的演(🏮)(yǎn )出，终(🏞)(zhōng )于(🦓)来到了罗马。亨德莉卡是(shì )为顶(dǐng )替(🖨)那(nà(💚) )名为(wéi )结婚(🥓)而请辞的舞蹈演员被雇(🚮)佣的(🎻)(de )，以(✍)(yǐ )前(💧)在(zài )罗马工作过时与当(🚆)地一(🚽)个男人(🌯)(rén )发(⏳)生(shēng )了感(gǎn )情并生下一个孩子。借演(🕙)出的(🌾)机(jī )会亨(hēng )德莉(lì )卡偷(tōu )偷脱(🐭)离了(💽)队伍去看望(💡)她被别(bié )人(rén )收养(yǎng )的(👩)孩子(⛲)。亨德莉(🌬)卡坚(⤵)持要自(zì )己带(dài )几天(tiā(🗿)n )孩子(zǐ(📑) )，于是(📕)在和佛朗索瓦丝商量过后(hòu )，他(tā )们(🔼)(men )决定(🧒)把孩子放到(🆙)艾万斯的房(fáng )间。艾万(wà(🐏)n )斯误(💩)(wù(🚜) )以为(🐛)这真的是菲利普的孩子(🌏)，在(zà(📆)i )大声(shē(🌖)ng )斥责(🛍)(zé )了菲利普并得知孩子生母的下(xià(💦) )落后(🧣)(hòu )便坚(jiān )持一定要前去寻找。被(😖)孩子(🏚)生母(mǔ )的家(🛶)(jiā )人奚(xī )落一(yī )番后，艾(🎅)万斯(🦅)又得到(🛂)了一(🔀)个(gè )孩(hái )子，原来这才是(📳)真正的(💔)菲利(👃)普的孩子(zǐ )。艾(ài )万斯(sī )虽然对两个(👉)孩子(👯)照顾有佳，但(🧚)还(hái )是不(bú )堪(kān )其扰，决(⏩)定送(📌)走(💫)这两(🌀)个小家(jiā )伙。他们(men )的诡(guǐ(🐵) )异行(👘)踪却被(🏤)酒店(🚩)大堂经理发现并(bìng )通知(zhī )了警(jǐng )察(⛑)。警察(🎄)以拐卖儿童罪将他们(men )逮捕(bǔ )，两(🕑)(liǎng )个(🆗)孩子的亲生(👾)母亲循声赶到警局(jú )与(😨)自(zì(🛴) )己的(de )孩(🕯)子(zǐ(📓) )相聚，同时，艾万斯也接受(shòu )了(le )孩(👦)子(zǐ(🐬) )和他们的母亲。 Berri enjoys telling his stories so much that you feel embarrassed to point out that the material often is pretty thin. This tale of a young Jewish man trying to find his way in Paris in the 60's (will he follow his father into the fur business, or go into films?) is told with such brio, and the actors are encouraged to make the best of their gifts. Gregoire Aslan, for instance, is very funny here (and in Mazel Tov also), much more than in the routine comedies he cranked out for Hollywood. Berri plays himself with his usual hang-dog charm. Koo In-Gap who became a millionaire by investing on real state is a primary target for his two executive directors Park and Song's sincere fawning. In-Gap tries to please his new mistress in the bed, but he isn't strong enough. All kinds of massaging and herb medicine are supplied for his improvement of strength, and finally he becomes very strong by having some variously mixed food. But exerting himself too much for his mistress's pleasure he dies. 《在克里奇的平(píng )静日(🐤)(rì )子(⚫)》讲述杰伊是(🔰)一个穷作家，他的室(shì )友(🌩)卡(kǎ(😐) )尔(🕸)(ěr )是(🎆)一个好色之徒，他们两个(🐛)(gè )单(🐔)身(shēn )汉(🌍)在(zà(🛥)i )世界(jiè )各地到处流浪，在巴黎的克里(🔄)区(qū(😥) )，他(tā )们度(dù )过了一段贫穷但是(🐎)快乐(🔘)的日子(zǐ )，当(💲)(dāng )然，女人是他们生活里(🈵)面最(🛺)重要的(🐥)内(nè(🥇)i )容…… Long running British situation comedy with the vaguest of situations. The Goodies are a three man agency whose brief is to do 'anything, anytime'. This gave the series carte blanche to do whatsoever it pleased, with a cartoon-like surrealism and a heavy reliance on slapstick. Ran for ten years on BBC TV before removing for one final series to the commercial channel London Weekend Television.