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友情链接
女巫
直撃地獄拳 大逆転
Dogsulijeonseon
织工
恶爷
天外来信
骇过阴阳线
Twists of Fate
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红心国王
无人知晓
En la cresta de la ola
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Il re di Poggioreale
青春荷尔蒙
Wolfman
万达，残暴的催眠师
蝙蝠血魔2
Anderssonskans Kalle
母亲的城堡
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Shallow Grave
鬼马小精灵之圣诞惊魂记
Io non protesto, io amo
爱不适打
Ein schöner Herbst
拳霸
爱丽丝
Fanny et ses gens
巴斯蒂安，巴斯蒂安
80分钟
杉杉来吃
Happy End: Every Story Needs an End
革命者
中产阶级式疯狂
Father O'Flynn
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爱的空间
旅者
Adolescente, sucre d'amour
周六夜现场：艾米·波勒/凯蒂·派瑞
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Noites Paraguaias
21 Days
赵先生
雌雄大盗
致命玩笑3
A casa di Irma
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Home to Roost
女木乃伊
欢乐时光
裘力斯·凯撒
我不是女生
重返歌坛
Revenge of Beyond Bizarro
霹雳天使
Kaddisch
新天生一对
平湖秋月
六位来宾,不要音乐
Eric, Ernie & Me
长不大
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继父
接招吧！那边的女孩
情欲、爱欲、爵士乐
福音之书：耶稣故事
你看起来好像很好吃
乌云压顶
Quand passent les faisans
Haywire
P-047
非常情人节
The Duke
Lightning Conductor
Un homme et son péché
姜子牙下山
Idleheist
科迪内
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Play It by Ear
Apocalypsis
அம்மன் கோயில் கிழக்காலே
谜情三弦
Bloodlines: Legacy of a Lord
犹太人苏斯
花旗小和尚
深洞
Watch Beverly
雙天至尊
爱的盛宴
吸血鬼
Istoriya Leonida
簪
半人马
老夫子动画大电影：反斗侦探
You're Out of Luck
激情的循环
大力水手
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剧情介绍
Danny has been in the army for 4 years, yet all he thinks about is Brooklyn and how great it is. When he returns after the war, he soon finds that Brooklyn is not so nice after all. He is able to share a place with Nick, the janitor of his old High School, and get a job as a singer in a music store. He also meets Leo, a talented pianist and his teacher Anne, whose dream is to singing Opera. When Jamie arrives from England, Danny tries to show him the Brooklyn experience and help him compose modern swing music. Together, these four also try to help Leo get the Brooklyn Music scholarship
保罗(luó(✊) )·比尔(ěr )特在柏(🗯)(bǎi )林的某(mǒu )处是(🐛)小人物。故(🛏)事发生在柏林的(🥤)破坏景观(🕯)的(de )地方(🆙)，在执行(há(📎)ng )儿童的(de )英勇壮(zhuà(💕)ng )举打在(zà(🍀)i )瓦砾中(zhōng )的未爆(🚏)(bào )炸弹和登山。一(🚌)个男孩与(👮)他的父亲失望，回(🍧)(huí )家无力(🎟)(lì )和绝望(wàng )，从战(🍢)(zhàn )俘营。某处显(xiǎ(🥉)n )示在柏(bǎ(🕊)i )林儿童(tóng )如何说(🕰)(shuō )服这个疲惫的(🚸)男人，清理(🥠)和恢复他的炸弹(💵)损(sǔn )坏的(🦀)车(chē )库管理(lǐ )，在(🤫)年(nián )底给他(tā )新(😳)的希(xī )望(🎄)。
这(zhè )是一部(bù )想(♊)当令人愉(💷)悦的歌(🌳)舞片，获1946年(⚾)奥斯卡最佳音(yī(🍫)n )乐歌曲(qǔ(🉐) )奖和最(zuì )佳音乐(🐛)(lè )—音乐(lè )片配(🤠)乐(lè )提名(👬)奖(jiǎng )！
Agent has his only client pose as both a French chanteuse and Brazilian bombshell to fool nightclub owner.
Mike Lambert, unemployed mining engineer, arrives in a small town with a bang when the brakes fail on the truck he's driving. After meeting seductive Paula at the La Paloma Cafe, he finds himself in trouble with the law. On the basis of a few burning glances, Paula pays his fine and finds him a room, but her motives are not what they seem. Mike lucks into a job with miner Jeff Cunningham, but against his will he's drawn ever deeper into Paula's schemes
故事(shì )发生(🛢)在伦敦一(💍)家乡村医院，一位(😗)邮递员在手(shǒu )术(🌭)的过(guò )程(🤴)中离(lí )奇死亡(wá(🙇)ng )，参加(jiā )这(🆚)次手(shǒ(🏴)u )术有医(yī(💞) )生和护(hù )士，这位(💭)邮递员的(🎤)死因是什么？凶(👚)手就藏在(zài )那几(🎴)位(wèi )医护(🐝)人(rén )员之中(zhōng )，到(🏜)底(dǐ )是谁(🧚)呢(ne )？他(🤰)的(de )做案动(🔌)(dòng )机是什(shí )么呢(🏼)？最后的(🔓)谜团由一位来自(🆕)精明的警方调(dià(🎹)o )查员为(wé(👜)i )你一一(yī )解开…(🏻)…
Jean Arthur stars as Congresswoman Phoebe Frost in Wilder's satire of American sexual mores. She arrives in bombed-out postwar Berlin in 1947 as part of a congressional delegation assigned to investigate the moral behavior of the American occupying troops. As part of her mission, she delivers a cake baked by his fiancee to Capt. John Pringle (John Lund), who immediately trades it on the black market for a mattress, which he takes to the apartment of his current girlfriend, Erika von Schluetow (Marlene Dietrich), an alluring German nightclub singer. While touring the city, researching the G.I.s appetite for blond German women and alcohol, Phoebe, mistaken for a German, is picked up by some of the soldiers and taken to a club which features the singing of Erika. When she sees a familiar cake being served, she becomes suspicious and orders John to watch the woman's apartment to identify her American lover. After seeing some newsreel footage of Erika with Hitler, Phoebe asks John to show her the woman's file, but he distracts her from further investigation by coming on to the congresswoman, who responds with surprising passion. A comedy edged with cruelty, it features one of Dietrich's quintessential performances.