TV第(🦗)54话再(🗒)编集(jí )版。 Probably the most controversial of Woolley's films, because of an audio rape sequence with flashes of nudity that split critics and viewers (especially feminists) right down the middle – some saying it was exploitative, others saying it was essential to get the formalist message (that we are all voyeurs in the cinema, often viewing at the expense of women) across. The film tells the tale of a housewife (who we never totally see, but can hear) trapped in her luxury house at the mercy of a husband and ruthless police team investigating an illusory political crime that she may or may not have committed. Her husband (the only character we see in a conventional manner) comes in and out of the story and alternates between patronising solicitousness and cold anger. The whole is constructed around a relentlessly repetitive sequence of shots that, in the course of the film, moves ten times from wide shot exterior to intimate interiors, with the story being updated and narrated every time we return to the exterior. In each sequence, there is one POV handheld shot that varies and is usually from the wife's point of view; otherwise the story is told within the confines of the repeating images (same framing and camera movement) with only the action varying. Voiceovers narrate and reflect on a woman's position, as well as dominant male perspectives, in society. 1939年，纳粹大张(zhā(🔲)ng )旗鼓(🕎)地将(🙄)数(shù )百名来自社会各(gè )个阶层的(📉)犹太(🔑)逃(tá(🔥)o )亡者(🚼)(zhě )们安置在一艘豪(háo )华客(kè(💭) )轮(🈷)内(🥏)，载(🕊)他(tā )们至(zhì )古巴的哈瓦那避难。然(🎋)而，当(🎤)轮船(🦔)抵达(dá )哈瓦(wǎ )那港，古巴政府(fǔ )却(🚤)依(yī(💦) )据(📸)本(🎗)国严格(gé )的移(yí )民政(zhèng )策拒绝(☔)船上(🎉)(shàng )的(🚵)犹太裔乘客入境。其实纳(nà )粹早就(👼)预料(📪)到会(🛥)(huì )有(🛎)这(zhè )样的结果，而这(zhè )也正(🙌)(zhèng )是(👎)他们(📩)所希(xī )望看(kàn )到的。当流亡者(zhě )们(🙅)从哈(🚩)瓦那(🐼)(nà )怏(🍞)怏离去的时候(hòu )，德国政府就(🖱)可(🎸)(kě(🚿) )以(🔺)凭(píng )此证明犹太人是(shì )世界(jiè )上(🍳)最不(🐷)受欢(💦)(huān )迎的(de )种族，从而为希特勒的种族(👻)(zú )清(🏪)洗(🏆)政(⛰)策找(zhǎo )到一(yī )个合情合理的借(🍦)(jiè )口(😬)。 法国(🌩)名导演(yǎn )勒卢(lú )许与(yǔ )首席女星(🍈)德(dé(🦁) )纳芙(🚵)在70年(📫)代中期合作的亲情(qíng )伦理(💃)片。女(🤪)主角(💉)(jiǎo )在年(nián )轻时抢劫银行，被囚(qiú )20年(👣)，她在(🤮)入(rù(😨) )狱前(🦕)(qián )生产的儿子赛门(mén )已长大(💕)成(🕴)人(⏪)(ré(💖)n )，出狱后想跟赛(sài )门重新建立母子(🎯)(zǐ )关(⛎)系(xì(⛸) )，但产生一些挫(cuò )折，直至她发现(xià(🌏)n )儿子(🖱)(zǐ(🤬) )竟(⛲)然爱上她的女友时，事情(qíng )出现(🐌)了转(⛪)机(jī(🍟) )。而(ér )她自己也找到了(le )新的(de )爱侣，就(♌)是(shì(🚏) )赛门(🕓)(mén )的(📷)老(lǎo )师。 本片是(shì )费拉里对(🚝)现代(🤶)社会(🚞)文明和小(xiǎo )家庭中男子的作(zuò )用(❔)的(de )最(⚾)新探(👁)讨的(🥒)成果(guǒ )。工(gōng )程师热拉尔(ěr )德(🏃)被(👂)(bè(🌕)i )妻(🍈)子抛弃了，并(bìng )把小儿子皮(pí )耶罗(💳)特留(🎧)给了(🌑)他(tā )。当工厂宣布休(xiū )假时(shí )，他把(💢)保姆(🤜)当(🈯)作(🔜)(zuò )情人(rén )；在短短的(de )时间(jiān )内(🗓)，他重(🍪)新经(🎖)受了令人伤脑(nǎo )筋的以两性(xìng )斗(🌋)争(zhē(🎻)ng )为特(👃)点的(🍁)两人关(guān )系发(fā )展的全过(🙋)程(ché(🍚)ng )。热(rè(😧) )拉尔(ěr )德完全被以(yǐ )性交为表现(🌡)的男(🍏)性意(🕜)识所(📎)支(zhī )配。当他同情人(rén )的关(guā(🐱)n )系(🤦)发(💚)生(🔁)危机时，他的(de )情人却和他(tā )的前(qiá(🈲)n )妻成(⚡)了好(🙍)朋友。他出于抗议(yì )和绝望用一把(🔀)厨(chú(📣) )房(🧟)用(🐋)的电锯把自(zì )己的(de )生殖器割掉(🌵)了。这(🚍)个(gè(🤑) )可以作为模(mó )式的(de )事件的大部分(💨) (就象(🤖)在戏(🎻)剧舞(📰)(wǔ )台上一样)发(fā )生在(zài )一(⚪)套高(🦎)层小(👏)公寓(yù )里。费拉里批判(pàn )了他(tā )的(💏)主(zhǔ(💴) )人公(🔌)的大(✊)男(nán )子主义，同时也表现了由(🔁)于(🚡)(yú(🙃) )生(🍠)活(huó )(工作，住宅(zhái )，千(qiān )篇一律的生(🏾)活秩(🚋)(zhì )序(👙)，孤独寂寞)造(zào )成的(de )绝望和灰心丧(🥛)气(qì(🚟) )。如(❤)果(🎌)说影(yǐng )片留下了一种相(xiàng )互矛(🍦)盾的(🎅)印象(🥟)，那是(shì )由于影片以独特(tè )的方(fā(📫)ng )式提(🗒)出了(🐨)问(wè(🌥)n )题：这个男人是他的行为(🛸)的牺(🐤)牲(shē(🎹)ng )品，也是妇(fù )女全(quán )面反抗的牺牲(🐅)品(pǐ(🍯)n )；费(🐟)(fèi )拉(⚫)里在这部(bù )影片(piàn )中同(tóng )样(♓)使(🕷)用(🐼)了(🛅)多(duō )种手法，而且通过一些“煽(shān )动(🔢)性(xì(😥)ng )"的细(💯)节和效(xiào )果来(lái )吸引更多的观众(🧒)(zhòng )。 在(🕦)(zà(🌮)i )伦(👑)敦期间，在罗(luó )马假日，两个男(ná(💌)n )人—(🖋)—艺(👤)术(shù )指导马克斯和夜(yè )总会的钢(🚻)琴手(💿)朱(zhū(🎧) )利奥(🕉)(ào )试图分享他们小(xiǎo )小的(👓)(de )肮脏(🎈)冒险(📦)——与(yǔ )看似极容易得手的小女(🤛)子多(🌐)(duō )拉(💫)上床(🚥)，却有了(le )意外的收获...... 茱莉(lì )亚（(🐕)Cathleen Nesbitt 饰(⛏)）(🛑)年事已(yǐ )高，家财(cái )万贯，可是(shì )没(🛡)有子(👖)嗣，也(🉐)就没有名正言顺的(de )继承者，为(wéi )此(🧛)，她找(🏃)到(😃)了(🤠)女巫师(shī )布兰(lán )奇（芭芭拉(lā(📆) )·哈(🕍)(hā )里(🍄)斯 Barbara Harris 饰）。茱莉(lì )亚告诉布兰奇，她的(🛏)妹妹(🌛)曾(cé(🈳)ng )有一(🔧)个私生子，被她(tā )送给别人(⏮)抚养(Ⓜ)，如今(☔)(jīn )，她想找到(dào )这个(gè )可怜的孩子(⬆)，让他(🌨)继承(🎴)家产(🤛)(chǎn )。 Young women in Nazi-occupied countries are packed onto a train and shipped off to a prison camp, where the sadistic commandant uses them as rewards for his lesbian guards and perverted and deviate troops. 剧情：这部不(bú )可理性分析(🗓)的(😬)影(🎑)(yǐng )片，剧情也非常(cháng )简单(dān )，主(zhǔ )要(😽)为秦(🐹)汉为(😞)(wéi )了(👝)向老同学车轩要回借去的钱(📈)，缠着(㊙)车(💯)的(🔳)未(wèi )婚妻(qī )林凤娇一起寻找(zhǎ(🛵)o )车，并(🌦)想二(🧦)人日(rì )久生(shēng )情…… 早期香港(gǎ(🛠)ng )發生(📃)多宗(📼)駭人(💓)命案，引起公(gōng )眾關注，《香港(🍢)(gǎng )奇(🌽)案(à(⛔)n )之二：兇殺》以(yǐ )真人(rén )真事改編(⏺)四(sì(🦗) )個故(🍃)(gù )事(😑)：「鬼頭仔」、「大家姐(jiě )」(✳)、「(🆒)臨村大血(xuè )案」，與轟動一(yī )時的(🔓)(de )「紙(🐵)盒藏(⏩)屍(shī(🌰) )」。編劇(jù )團以倪匡為(wéi )首，扣(🥞)人心(⛲)弦(👚)的劇情引人入勝。擅長拍驚慄(lì )片(⛎)的(de )導(🖨)演桂(🌃)治洪，在(zài )「鬼(guǐ )」與「臨」故事(🥝)(shì )中(📭)，殺人(🍎)情節殘(cán )酷真實，拍出恐怖片的(🔜)味道(🔵)(dào )。看(💨)完四個兇案(àn )故事(shì )後，必定不寒(🎁)而(é(🥐)r )慄。