"Jacques Tourneur at work in color on Western landscapes is something to behold. The credits roll over a matte of a damp day in Portland (slanting rooftops, a ship’(🐐)s half-seen mast, boards over a muddy street) that’s practically a Grafströ(🛶)m, the Oregon Trail that follows is finely-drawn watercolor. The nascent commune of Jacksonville would be Fordian, except that Dana Andrews’ negation of piety ("A man can choose his own gods") and Andy Devine’s acknowledgement of Indian rights ("We’re on their land. They ain’(🌼)t likely to forget that") challenge Manifest Destiny. Overlapping triangles -- Andrews-Susan Hayward-Patricia Roc, Andrews-Hayward-Brian Donlevy, Andrews-Roc-Victor Cutler, Hayward-Donlevy-Rose Hobart. Hoagy Carmichael with mandolin amid the ramblers and settlers is wastrel, commentator, mediator, and voyeur ("...a little store and lots of time"). The cabin-rising sequence tips its hat to Hathaway’s Trail of the Lonesome Pine, and was studied by Weir. The wedding bash celebrates wholeness but these are forces in tenuous balance, Donlevy voices Tourneur’(🧣)s ambivalence ("The illusion of peace is upon it") moments before the Indians materialize via a single reverse shot that seems to introduce a parallel world. Another space-expanding reverse shot, this time embodying tensions from within rather than from without, takes place right before Andrews’ brawl with Ward Bond, cutting from a medium-shot of the two at the saloon counter to another revealing the townspeople in the wings, waiting for the spectacle. (The fight, remarkably bloody and ugly, hinges on the haunted image of the disoriented Bond smashing his fist into a wooden pole. Hayward sits with the cheering crowd.) A film of "thin margins": The saloon doubles as a hanging courtroom, the garden becomes an inferno. The view of a dazed Roc wandering in the woods after the slaughter is from I Walked with a Zombie, and finds its way into Demme’s Beloved; Stars in My Crown revisits the territory with hope for harmony, but Wichita and Great Day in the Morning know better." 国(guó )王病危, 临终前(qián )立下诏书, 委(wě(💠)i )託政(zhèng )务大臣(⛹)罗正(♉)卿辅(🔁)助年(📽)幼的(📤)(de )太子(💱)登基. 怎知(🕖), 国王(🥀)的遗诏(zhào )竟为(wéi )军机大臣司徒扬明夺走. 司(sī )徒扬(yáng )明(🏘)待国(👉)(guó )王驾(jià(😓) )崩后(🐕), 即软(👺)禁太(tài )子(📂), 继而(🤡)独揽(lǎn )大权(quá(🦌)n ). 罗正卿不满司(sī )徒大臣任意(yì )加税(shuì ), 导(📶)致民(😊)不聊生, 决(💺)定辞(🌻)(cí )官(📻)归(guī )隐以(⛪)便静(🖥)待时机, 推(🚵)翻暴(🌪)政(zhèng ). 罗大(dà )臣的女儿瞒(mán )着父亲, 女扮男(🍣)(nán )装, 以(yǐ )侠盗(💮)罗(luó(🐊) )宾汉(🗄)(hàn )的(😮)身份(🦑), 四出(🎨)劫(jié )官府(🏚)以济(🧓)平(píng )民. 期(qī )间, 太子不允让位予司徒大(dà )臣, 司徒大臣一(🎟)怒之(⛴)下, 命御(yù(🐋) )林军(🎳)(jun1 )队长(🐋)张忠耿杀(🍰)死太(🛌)子. 张队(duì )长实(👡)(shí )为忠臣(chén ), 不忍(rěn )加害太子, 于是(shì )与罗(📱)宾汉(🤰)合(hé )力将(🛺)(jiāng )太(📱)子救(🐈)离宫中(zhō(🛃)ng ). 司徒(🔯)大臣乘(ché(🔓)ng )太子(🏆)(zǐ )不在, 伪做诏书, 自立为(wéi )王. 幸(xìng )而, 罗宾(🖐)汉及时盗回国(🚞)王真(🏜)(zhēn )正(🎽)的(de )遗(🤖)诏, 揭(🏉)发司(🀄)(sī )徒大臣(🐫)的阴(🤣)谋(móu ), 并将(jiāng )他杀死(sǐ ). 最后(hòu ), 太子正式登位(wèi ), 而罗大臣(🏓)终(zhō(⚓)ng )亦发(fā )现(🤫)侠盗(🤐)罗宾(❗)汉原来就(🥨)是自(💼)(zì )己的女儿. When a nagging wife commits suicide, her husband is threatened with a murder frame by his lawyer, unless he kills a certain female reporter for him. 埃(🐓)尔内斯托和卡(kǎ )洛被(bèi )释放，从战俘营回(🅰)家。农(🧤)(nóng )民卡(kǎ(😦) )洛在(💥)回(huí(🌐) )农村(cūn )前(😝)，邀请(🤒)埃尔(ěr )内(🛣)斯托(🎇)到农(nóng )村家(jiā )中作客，并看(kàn )看自己的女(nǚ )儿罗(luó )塞塔(🍓)。埃尔(🙉)内斯托回(☔)(huí )到(🤗)家(jiā(❌) )乡，发现自(🎫)己的(🥝)家毁于战(zhàn )火，母亲去世，妹妹玛丽亚失(shī )踪。他无家(jiā )可(🍍)归(guī(🔋) )，成为流浪(🍄)汉(hà(🕡)n )。一天(💪)晚上(shàng )，他(📤)(tā )发(✈)现自己的妹妹(🦇)已当上了(le )妓女。他们兄妹痛苦相认(rèn )。不(bú(🏎) )久，妹妹在同盘(🤥)剥他(🌯)的坏(😭)(huài )蛋(🔊)争(zhē(🚧)ng )吵时(🕯)，被坏(huài )蛋(👿)杀害(🌈)，埃尔(ěr )内斯托愤而(ér )杀死(sǐ )了坏蛋。埃尔(ěr )内斯托认识(🔫)(shí )了(💚)丽(lì )狄亚(👶)，丽狄(✂)亚是(🥥)一个(gè )盗(❎)匪(fě(🆓)i )集团的头子。他被迫入伙(huǒ )，并(bìng )逐渐成为丽(lì )狄亚的情(🥋)夫和(🏄)(hé )盗匪(fě(🎎)i )集团(🔢)的(de )头(⬇)子(zǐ )，他们(🔊)劫富(🙎)济(jì )贫。有一次(🍋)(cì )，埃(āi )尔内斯托同丽狄亚争吵后(hòu )，丽狄(🎥)亚告发了他。埃(🖱)尔(ě(🚥)r )内斯(😞)(sī )托(🕔)逃脱(🔙)了，他(🏩)想到农村(🚁)去(qù(⏫) )找卡(kǎ )洛，买(mǎi )了个(gè )准备送给罗塞(sāi )塔的娃娃。途中(zhō(🌟)ng )，他被(⛪)警察追(zhuī(🐀) )捕，枪(🥖)战后(📦)(hòu )，他(tā )被(🖖)击中(🥁)，临死前，仍(réng )念念(niàn )不忘罗塞塔 Specter of the Rose (1946) is a film written and directed by Ben Hecht, starring Judith Anderson, Ivan Kirov, Viola Essen, Michael Chekhov, and Lionel Stander and with choreography by Tamara Geva. 书生刘生倾慕(mù )少女(nǚ(💕) )阿绣(🍗), 时常到(dà(🔌)o )阿绣(🌸)父亲(🔜)的杂(zá )货(🕘)店(dià(🛑)n )买东西(xī ), 借故(⚡)(gù )亲近. 未几, 刘生(shēng )与阿绣共堕(duò )爱河(hé(⏩) ), 并在仙女像面(🎴)前互(💀)订终(💍)生(shē(😅)ng ). 此事(🌞)为刘(📭)生的舅舅(🚯)所发(🌬)现(xiàn ), 反对(duì )刘生跟穷家女来往, 於是藉(jiè )辞刘(liú )母急病(💐)(bìng ), 将(🖨)刘(liú )生送(🚻)返乡(🚊)下家(🛳)(jiā )中. 抵家(👾)后, 刘(👁)(liú )生揭(jiē )发舅舅的奸计(jì ), 於是装病, 迫(pò )母亲(qīn )应允他(💵)跟阿(🏵)绣的婚事(🎣). 但当(🙂)(dāng )刘(🀄)生的舅舅(🤳)来到(🐚)阿绣家提(tí )亲(🛣)时(shí ), 阿绣却早已(yǐ )嫁到赵家庄. 刘(liú )生得(🤚)(dé )知阿绣(xiù )已(💳)下(xià(🚵) )嫁他(🔤)人, 悲(🧖)痛之(🗓)(zhī )下(⛪), 跑到仙女(🤝)(nǚ )像(💬)面(miàn )前哭诉, 最后更(gèng )伤心晕倒. 朦(méng )胧间, 刘生梦见自己(🚼)与仆(🍯)人(rén )刘忠(🌾)(zhōng )到(🍏)处流(💠)浪, 结果在(🉐)一条(🍩)村庄(zhuāng )重遇(yù )阿绣. 岂料此(cǐ )人并非阿绣, 而(ér )是与阿绣(⏸)长(zhǎ(🏞)ng )得一(yī )模(👠)一样(☕)的仙(👃)女(nǚ ). 二人(🔮)误以(✋)仙(xiān )女为(wéi )鬼(🚊)魅, 吓得拔足狂奔. 途中遇(yù )上蒙面强盗, 刘(🐷)忠与强盗大(dà(🤜) )打出(🐣)(chū )手(💝), 而刘(📻)生则(🏼)在逃(⛺)跑之时遇(🙇)(yù )上(👞)真(zhēn )正的阿(ā )绣. 刘(liú )生带阿绣返家(jiā ), 并与她拜堂(táng )成(🔔)亲(qī(🏷)n ). 可是, 阿绣(🔄)却於(🤭)(yú )新(⏹)婚之夜无(🕐)(wú )故(👄)失踪. 做梦至此, 刘生突然(rán )醒来(lái ), 并遵照仙女的说话, 赶(🍌)往赵(🚜)(zhào )家庄(zhuā(🦗)ng )阻止(🚎)阿绣(🤑)出(chū )嫁. Who's killing showgirls in sun-drenched Malibu ? Sidney Toler appears as venerable Chan for the final time in a snappy whodunit that includes Victor Sen Young and Mantan Moreland.