剧情介绍
故事(shì )发生在1945年(🐩)(nián ),弗雷德(⤵)(达纳·安德鲁斯(🔽) Dana Andrews 饰),艾尔(🤟)(弗(fú )雷德(🎷)里(lǐ )克(🅰)·马奇(qí(🌞) ) Fredric March 饰)和霍莫(💓)(哈罗(luó(🍩) )德·拉塞(sāi )尔 Harold Russell 饰)(✖)是三名刚(🖐)(gāng )刚走下战场的军(🌈)(jun1 )人(rén ),即将(🏞)回到久违(wé(💨)i )的家乡(🐭),即将见(jià(🚧)n )到久别的(de )亲(🎨)人,虽然三(👂)人(rén )的(de )境遇各不相(🔆)同,但内心(🙄)中(zhōng )的激动(dòng )和忐(✡)忑却(què )别(🚝)无二致,分别(🏢)在(zài )即(🐋),他(🐛)么许下了(le )再相聚的(🐅)(de )约定。
Tongues begin to wag when a lonely widow becomes romantically involved with a military man. Problems arise when the gossip is filtered down to her own children.
Synopsis
电影(🍾)名称(chēng ):情焰
在一(🏍)次宴会(huì(😅) )上,余师长夫(🔚)人(rén )凤(🌡)鸣重遇(yù(🌱) )失散多(duō )年(🐈)的前夫(fū(📦) )尹秋涛。原来十年(niá(🚑)n )前,凤鸣(mí(😳)ng )本是三(sān )流剧团的(🙄)(de )一个小角(🐍)色,而(ér )其夫(🖥)秋涛则(🗺)是一个(gè(🎈) )倒卖假钞(chā(🦍)o )的小地(dì(⚾) )痞。后来(lái )案发,两人(🗓)在逃(táo )命(🧗)(mìng )的过程中失散。此(🍽)后,凤(fèng )鸣(🍛)假称(chēng )显宦(🕕)后裔(yì(🔸) ),混(🙆)身上层社会。凤鸣担(🥚)心身份败(🥌)(bài )露,日夜(yè )不安。秋(🤩)涛开始(shǐ(🐒) )不停地敲诈(🏩)勒索凤(📟)(fèng )鸣。不久(🥈),秋涛(tāo ) 因为(📪)再此(cǐ )犯(🃏)案,遂胁迫凤(fèng )鸣为(〽)人质一同(🚌)逃亡(wáng )。但未出(chū )家(🔑)门,两人即(⬆)被(bèi )捕。凤鸣(🙍)被保释(🔦)(shì ),但旧日身份已败(bà(🏦)i )露,被赶(gǎ(🛎)n )出家门(mén )。凤鸣亦(yì(🔗) )厌倦上层(📮)社会社(shè )会(huì )地无(👏)聊社会,决(🐾)(jué )意离开余(😰)(yú )师长(🤓)重(⏮)(chóng )新做人。
保罗·比(🕕)尔特在柏(🌠)(bǎi )林的某处是小人(🧥)(rén )物。故事(⚫)(shì )发生在(zà(🚡)i )柏林的(🚷)破(pò )坏景(⛏)观的地方,在(🎷)(zài )执行儿(😩)童的英勇(yǒng )壮举打(😘)在(zài )瓦砾(🙏)中(zhōng )的未爆炸(zhà )弹(🃏)和登山。一(🔇)个男(nán )孩与(🍨)他的父(👱)亲失(shī )望,回家(jiā )无力(🍖)和绝望,从(📰)(cóng )战俘营。某处显示(🔉)(shì )在柏林(🐩)儿(ér )童如何(hé )说服(💀)这个(gè )疲(🦖)惫的男人,清(🍼)(qīng )理(lǐ(🚺) )和(👱)恢复他的炸弹(dàn )损(📂)坏的车(chē(🚴) )库管理(lǐ ),在年底(dǐ(🐅) )给他新的(📧)希望。
克(kè )莱(⛎)奥是一(🎄)个名流(liú(🧛) )的私生女(nǚ(🤰) ),为了(le )维护(🐿)家族(zú )的名声,她从(⏲)小就(jiù )被(💲)送去法国抚养(yǎng ),直(🈁)到母(mǔ )亲(🛐)去世(shì ),克莱(💍)奥(ào )才(📳)返(🐺)回家乡。克莱(lái )奥的(⛸)母亲因为(🎧)没(méi )有名分,生前备(🔁)受羞辱,克(🔹)莱奥决定要不惜(xī(🛬) )一切代价(🍇)(jià )为母亲(qī(🙀)n )复仇,她(🈚)(tā(✝) )打算嫁给一个富(fù(🧚) )人(rén ),不再(🐃)走母亲的(de )老路,不(bú(📽) )想却遇(yù(⚾) )见了来自(zì(🖕) )德克萨(🏤)斯的赌徒(🌁)克(kè )林特,沉(👝)默寡言(yá(🙄)n )的后者让(ràng )她一见(👞)(jiàn )倾心。现(🔰)(xiàn )在,克莱奥必须在(🍒)(zài )金钱与(🤽)爱情之间(jiā(✋)n )做出选(⛎)择(😗)(zé )。
In Edinburgh, renowned surgeon and now teacher of anatomy Dr. MacFarlane, has been paying John Gray, a cabman, to clandestinely bring him exhumed bodies of the recently deceased for classroom demonstration purposes. With cemeteries being increasingly guarded, Gray turns to murder to provide MacFarlane with fresh bodies. Realizing that he will never be rid of Gray, who constantly taunts him with his knowledge of MacFarland's past indiscretions, MacFarlane engages the malevolent Gray in a hand-to-hand fight to the death, the ultimate results of which provide the victor with an episode of unprecedented psychological horror.