Мол(🈁)одая гр(⬛)афиня Ве(⛔)ра Дубр(😀)овска(📇)я м(🏳)ечтает(🔪) прине(🐪)сти польз(🐐)у чело(⛑)в(💵)ечеству(📬). Она по(⚪)с(🎪)ещает бе(🌱)дных, «(🎊)б(👌)ывших лю(🖌)дей» и(🍋) п(🚤)омогает(🌡) им в ме(📢)р(🦊)у сил. Одн(🐡)ажды Ве(🍤)ра оказы(🏗)вается(👶) в каморк(♊)е пьяни(🐳)цы Мак(🎞)си(⚓)ма Петр(😺)ова. На(🥃) помощь гр(🌇)афини(🤛) о(🎣)н отвеча(🎁)ет тем(🐝), ч(🛌)то обесч(🕡)ещива(📃)е(🐂)т ее, оста(🥁)вив не(🌿)з(🈸)аживающ(🙃)ую ран(😌)у(🌽) в ее душе(🌙). Придя в(🌸) себя, Вер(🧥)а убива(💊)ет негод(🏼)яя. A French orphan who grew up in a convent sets out to see Paris. It turns out that she is the heir to a fortune but doesn't know it, and has been lured to Paris by one of the heirs who does know who she is; he plans to swindle her out of her inheritance so he can have everything. Written by frankfob2@yahoo.com Mary Tudor, sister of England's Henry VIII, causes a stir by falling in love with a guardsman below her class. This epic was the last in a series of silent sword ‘n sandal spectaculars starring former Genovese dockworker and aging hunk Bartolomeo Pagano. This homely stud spends half the film in a heavy woolen suit, looking more than a dimwitted butcher than a bodybuilder. Fortunately, true to the title, he does go to hell, where he’s assaulted by demons, propositioned by seminude demonettes, and finally stripped to his overample but still fetching flesh. He keeps busy during his sojourn leading a demon revolt and battling a dragon too large to move very much. Director Brignone pulled out all the stops for this comic-Boschian vision of hell, with what looks a cast of thousands of demon-extras spilling off the screen. Fellini claimed Maciste inspired him to become a filmmaker, and the air of amusing depravity, seen to full advantage in the rare restored print that occasionally circulates, would seem to confirm it. Une femme traverse les lignes du front pour montrer son nouveau né à(😚) son fiancé. Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"? Après avoir fait fortune en Extrême-Orient, l'armateur Forest a ouvert une banque à Marseille. Il est le tuteur de l'orpheline Madeleine Wills, dont il convoite le coeur. Lors d'une promenade en auto, celle-ci renverse malencontreusement un Chinois nommé(🗜) Tchang Keou. Madeleine le fait soigner et lui trouve une place de domestique au service de Paul Valmont, dont elle est amoureuse. Tchang Keou est en réalité à la recherche de l'homme qui, armé d'une épingle rouge, a assassiné son père parce qu'il avait é(🏈)té témoin du meurtre du père de Madeleine par Forest. Ses soupçons se portent d'abord sur Valmont puis il comprend la vé(🔸)rité. Forest se sert du Chinois pour enlever Madeleine. Prévenu, Paul Valmont vient à son secours. Tchang Keou tient enfin sa vengeance. Il tue Forest avec l'épingle rouge puis se donne la mort. 丹(dān )麦(mà(🎧)i )人(rén )斯特伦(👍)•(💜)赖伊在(zài )柏林(lí(💂)n )导演了几部(🏩)影(⛽)片（如(rú )《一切罪(➖)恶都在地上(🐣)(shà(🌮)ng )》）之后，给德国电(🐛)(diàn )影(yǐng )制作(👼)了(👂)他的第一部(bù )重(🎮)要(yào )作品《布(🎽)拉(🥜)格的大学(xué )生》。这(🌳)部摄制费达(dá(🙁) )两(liǎng )万马克的影(🌾)片是根(gēn )据(jù(🤫) )小说家汉斯(🚆)•埃(💥)弗(fú )斯(sī )所(suǒ(🚗) )写的剧本、(🧛)由摄影师(shī )基杜•(🌽)齐佩尔在波(🎡)希(xī )米(mǐ )亚拍摄的(😣)。它的主(zhǔ )要(📲)(yà(⌛)o )演员是保罗•威(👌)格(gé )纳(nà )和(🌀)(hé(🎚) )丽第亚•沙尔莫(🌉)(mò )诺瓦(wǎ )。保(🧤)罗(🌬)•威格纳当时(shí(🔶) )是马克斯•(🌀)莱(⬆)因哈特(tè )手(shǒu )下(😫)最有名的一位(🗾)演(yǎn )员(yuán )。