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有完没完
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Il terrore della maschera rossa
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浅見光彦系列31 消逝于虚无道中
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剧情介绍
新上任的三圃市警(jǐng )署(shǔ )署长李承宇（孙秉(bǐ(🗺)ng )浩(hào ) 饰(🕡)）为了(🚤)挽回警(♋)察(chá )在(🚂)(zài )市民(🍘)心目中(🌶)的形象(xiàng )，亦为个人大(dà )造政绩，异想天开决(jué )定实行(🦆)一次银(🚋)行模拟(🆗)(nǐ )劫案(🥍)演习，当(😖)然，对(duì(🐟) )这次训(🕑)练的态度警局(jú )众(zhòng )人心照不宣，大家(jiā )都(dōu )明白这不过是(🔪)逢场(chǎ(🖊)ng )作(zuò )戏(❌)，然而被(📝)安排扮(🤓)(bàn )演(yǎn )劫匪的(♉)巡警郑度满(mǎn )（郑在泳 饰）却不(bú )这(zhè )么(me )认为。平时(🦖)默默无(💌)(wú )闻(wé(🚢)n )行事一(👒)丝不苟(💔)的郑(zhè(📲)ng )度(dù )满(👸)受命后全力研究(jiū )劫(jié )匪作案手法，完全(quán )进(jìn )入了角色。演(🎤)习当日(🧚)(rì )，郑度(🚠)满的(de )专(🛩)业表现(🐅)令所有(👖)人大(dà )惊失色，警方的便衣(yī )与突击队纷纷“阵亡(wáng )”在郑度满(🎓)的枪下(🉐)，原(yuán )计(🏿)划在媒(🏢)体面前(🤞)大(dà )出(chū )风头(🔙)的李承宇如意(yì )算(suàn )盘落空，却又对郑(zhèng )度(dù )满无可(😠)奈何。究(😛)(jiū )竟(jì(🐔)ng )这(zhè )次(🏭)“劫匪”逞(😛)凶的(de )演(💈)(yǎn )习该(🉑)如何收场？
电(diàn )影(yǐng )导演莎莉（莎莉·波(bō )特 Sally Potter 饰）在创作(🤸)新剧(jù(👈) )本(běn )时(🍟)遇到了(🆖)灵(líng )感(🕶)堵塞，她(🔟)烦恼不已(yǐ )，却又无济于事。在(zài )观看一场激情肆意的(de )探戈舞(⏳)演出后(🎢)，莎莉(lì(➗) )被深深(💤)感染，仿(🐘)佛找(zhǎo )到(dào )了(🌿)一些灵感。她决(jué )心(xīn )暂时抛下工作，开(kāi )始(shǐ )学习探(🥈)戈舞。她(🚹)去(qù )巴(🕡)(bā )黎旅(♒)行遇上(🚨)了有(yǒ(🧓)u )名(míng )的(🈲)(de )探戈舞者帕布罗，被(bèi )他的舞蹈所吸引。于(yú )是提出让他在自(🤙)己(jǐ )的(🛁)(de )下部电(⛓)影里演(📿)出，以(yǐ(🌇) )帕布罗(⚫)教她跳舞作为(wéi )交换条件。莎莉越来越沉迷于探(tàn )戈舞，在与(🔍)帕布罗(🏺)学(xué )习(👩)探戈的(🐕)过程中(🏊)，他(tā )们彼此爱(🏅)上了对方。但(dàn )来自不同文化背景(jǐng )的(de )两人，性格有着(🐝)极(jí )大(🚺)(dà )的反(💘)差：来(📓)自南美(⬇)(měi )的(de )帕(😶)布罗有(🏄)着强烈的(de )控(kòng )制欲，他习惯掌控(kòng )选(xuǎn )舞、音乐等一切细(xì(🛀) )节(jiē )，甚(🀄)至包括(🚢)与莎莉(🌶)(lì )的(de )爱(💭)情；而(👖)作为女性(xìng )主(zhǔ )义者的莎莉却是决定(dìng )帕布罗参与(yǔ )她的(🈶)影片(pià(🎸)n )的关键(⛷)人。两人(🕰)之间的(🚌)关系时而(ér )紧(🦌)张，时而悠然，一(yī )场爱情之战悄悄开始(shǐ )。
片名：好好(🍧)爱我/甜(🖥)(tián )蜜(mì(🔯) )爱情/温(💗)柔的爱(🕴) L'amour en douce
It's always difficult for me to watch a movie after having read the book it's allegedly based upon. Anyways, I decided to try this one, and I have to say I can't find any part of it that'd be based on the Jules Verne novel (except the title, of course). It's amazing to see how professor Otto Lidenbrock from Hamburg became Jonathan Brock, his nephew Axel became Abel, how his Danish guide Hans Bjelke morphed into Sergei Petrov, and how the expedition that originally started in ICELAND at the end of June, suddenly changed to Alaska in September. But most important is the complete lack of respect for the original plot and its characters, to the point that the movie shares nothing with the book they say it follows. I do understand that most books can not be adapted faithfully to the screen, but there's a difference between taking a few creative licences and making a completely different story. So, I'd like to ask Mr. William Gray to, PLEASE, read the book before saying his script is based upon it, or otherwise take the credits (and responsibilities) of signing his own stories.
本片(pià(🚀)n )以(yǐ )主(⛅)人公大卫·布莱(lái )恩(ēn )架车游历美国得克(kè )萨(sà )斯州过程(👤)中所见(😻)所(suǒ )闻(📖)(wén )为主(🧐)线，透过(🔉)一个(gè )个(gè )具有鲜明个性的小(xiǎo )人(rén )物及发生在他们身(shēn )上(shàng )的(💼)故事，展(🦐)示了当(💐)地(dì )人(⏬)对于生(🎻)活(huó )和爱情的(🤞)(de )独特理解。该片值得称道的是将(jiāng )歌舞与写实完美结(🚡)合(hé )，大(😻)量旋律(🕙)优美的(👉)乡(xiāng )村(⏪)(cūn )民谣(😳),歌曲成(🍵)为片中(zhōng )最(zuì )耀眼的亮点，也是(shì )导(dǎo )演大卫·布莱恩对(duì(⛴) )电(diàn )影(🥈)艺术的(🙎)创新之(🦁)举(jǔ )，是(🏢)一次成功的探索(suǒ )。
Two boys' childhood Ouija games end in horrific tragedy. As adults they realize that whatever they conjured up was more sinister and demonic than ever imagined. And now it's back to finish what it started.