A man named Jonas is diagnosed with cancer. What should he do with his already failed life? n Katherine Jerkovic’s enthralling debut feature, a young woman struggles to rekindle her relationship with her paternal grandmother and her home country while mourning the death of her father. 一只日(rì(📫) )本考(kǎo )古队(🔉)来到天津寻(xún )找传(🏥)说中(zhōng )的长(🌎)(zhǎng )生药(😤)“血太岁”，护国(💈)社(shè )义士(shì(🕸) )为阻止(👲)考古队向小(🕯)神算袁(yuán )元(😕)求(qiú )助(🤲)。袁元涉险抢(🚋)到藏宝图，岂(🤮)(qǐ )料致(🥗)使亲(qīn )人被害身亡(🔪)。仇恨与(yǔ )大(🌍)义让袁(yuán )元走上与(➖)日本考古队(🚐)(duì )的对(🚣)抗之(zhī )路。 围(🐡)绕藏宝图，双(🖋)(shuāng )方施(🚥)展奇(qí )门异(🦃)(yì )术，你争我(💿)夺。考古(🕋)队步(bù )步紧(jǐn )逼，袁(💯)元虚与委(wě(🍬)i )蛇从考古(gǔ )队手(shǒ(🏚)u )中解开藏宝(👊)图之(zhī(🏒) )谜，找到(dào )藏(🐏)宝(bǎo )之地，巧(🦉)施妙计(🐤)(jì )，引诱考(kǎ(🛂)o )古队(duì )陷于(🚵)危险虚(🤠)室。然而就在(zài )他找(zhǎo )到(🔁)真密室(🎆)时，考古队脱困(kùn )而(🗣)出(chū )，一番激(🅰)(jī )烈的打斗后，最终(🔣)邪(xié )不压正(🛹)，考古队(👯)自食恶果，被(🆚)(bèi )崩塌的密(🤪)(mì )室掩(🐮)(yǎn )埋。 殷商末(🐜)年，苏妲己下(💵)(xià )令对(🛒)(duì )威胁到自己的司(🏏)(sī )徒戟将军(🌿)(jun1 )一家(jiā )进行灭门。比(🛶)干(gàn )、姜子(🌿)牙(yá )黄(🧖)飞(fēi )虎、伯(🏫)邑考等忠(zhō(🔼)ng )良之士(🏒)为(wéi )保护(hù(🌿) )司徒家族唯(🐯)一血(xuè(🌍) )脉，将逃(táo )出的(de )母子(🈶)藏匿(🕛)于民间(👡)，为孩子(zǐ )取名(míng )妘(♐)谳。 十年间，忠(💢)臣义士(shì )不畏(wèi )生(🧘)死，前(qián )赴后(👗)继对苏(♑)妲己执行(há(🍑)ng )暗杀，却(què )频(🏇)频失败(💃)。苏妲己查(chá(👦) )出是比干(gà(🏇)n )等人(ré(⛪)n )主使。囚禁姜子(zǐ )牙(📬)，迫害(hài )比干(🎤)(gàn )，比干在临死前(qiá(🆔)n )，找到妘(yún )谳(💺)，希望他(🆎)可以铲除(chú(🚙) )妖妃，完(wán )成(🍷)匡(kuāng )扶(🍔)商朝江山社(🦅)稷(jì )的使命(👌)。 然而(é(🤡)r )此时的妘谳已经(jī(💐)ng )是一(🚞)个玩(wá(🔊)n )世不(bú )恭，爱财如命(🚡)的市井小子(🍭)(zǐ )，能(néng )否担此大任(👧)？之后一系(🥠)列(liè )拯(〰)救(jiù )行动中(😮)，妘谳渐渐被(😋)伯邑考(🈶)等(děng )人的舍(📌)生(shēng )取义的(🐨)大无畏(💿)精神所(suǒ )触动，做(zuò(😿) )英雄(xióng )，拯救(🥥)水深火热(rè )百姓的(💾)信(xìn )念油(yó(🦑)u )然而生(😧)，激发了(le )妘谳(⛏)血脉(mò )中的(💼)(de )忠义，原(🛥)本可以(yǐ )逃(🐀)离的妘(yún )谳(📲)，接过历(🗃)史使命。 A young Indian immigrant moves to the US to spite his family. While there, he falls on hard times and learns the importance of hard-work, qiwan.cc planning, generosity, and family. Kreatur is about the human body. Isolated or attached to a community, it becomes distorted under pressure. The show's based on the ideas of taking or losing power, of thinking about otherness or looking at oneself, of loving or hating oneself. And in visiting a former Stasi prison in Berlin, Sasha Waltz and her dancers found memorial and sensitive points of reference to work on the inhuman confinement that forced people to stay forever upright and awake. The choreographer alludes to a world in which physical and physiological constrictions force us to stay in movement. The body becomes the symbol of a struggle, caught as in a vice between concrete sensations of imprisonment and feelings of a freedom still to experience. To find our respective parts of light and darkness, she wanted to work with great artists to design the costumes, the space and its reflections, the metallic and concrete sounds of the show... All of it comes together to create a minimalist world in black and white, in which only the skin, the living, create colour, and where the creatures we see are images from a potential future, at once familiar and unknown. In Chicago, the lonely Jamie works in the food laboratory of a company developing flavors with his best friend Wally. Jamie divorced from his wife a couple of months ago and misses his son. Jamie is on diet but after eating a chocolate, he becomes psychically connected to a beautiful woman, seeing through her eyes and feeling her sensations. Jamie falls in love for the stranger woman, until he witnesses her stabbing and killing her lover. His connection ends and Jamie becomes obsessed for the woman; using his memories, he discloses through the driving license of her car and some landscapes that the mysterious woman lives in Vancouver. Jamie travels to meet and help her and once in Canada, he finds that the dead man was a plastic artist and his beloved stranger is the model Catherine. Jamie tries to approach to Catherine with tragic consequences.