While Philipe waits for Johan to come out of jail he starts recreating several moments of their relationship with the help of several friends during the summer of 1975. 醉(🐞)拳、双(💳)(shuāng )节棍、五(wǔ )形拳(📴)等…(🔓)…(🖌)是中国(guó )功夫的精(jīng )髓(🐦)，随着中(💮)国(♍)功夫片引进海外(🙀)市场(🎑)，中(🧐)国功夫在(zài )世界各地(dì(🌲) )被受重(🥍)视(🐳)(shì )，更掀起(qǐ )追求、研(🌭)(yá(🌞)n )究中国(📖)功夫奥秘的热(rè(👫) )潮。中国(🐕)(guó )功夫的最(zuì )大特点是(🍆)(shì(🐈) )将动作(🤫)与(yǔ )人体结构(gòu )配合，如(🌰)(rú )运用(⏯)得宜(yí )，能超乎(hū(⛄) )人(🚤)类体能(📳)(néng )极(jí )限，刚柔(róu )并重，千(🏈)(qiān )变万(👊)化，充满神秘(mì )感。何(👿)谓(wè(⏮)i )「(⛽)十八般(bān )武艺」呢(ne )？著(👍)名的(de )少(🎂)林(🔲)功夫(fū )有甚么奥(👮)(ào )秘(😰)呢(🌌)？少林弟子如何挑战木(🏒)人巷而(👤)下(📕)山呢？这些(xiē )鲜为人(🗨)知(🔟)(zhī )的事(🦄)，在(zài )本片中都(dō(🛃)u )可一一(🏾)找(zhǎo )到。 The niche market DVD label Mondo Macabro has released a little-known 1976 film titled In Hell, known variously as La tortura and Gloria Mundi. The movie is the creation of the late Greek director Nikos Papatakis, who obviously felt he had a significant left-wing political statement to make in this bizarre and unpleasant blending of radicalism and sexual humiliation. The film's one saving grace is an astonishingly brave performance by lead actress Olga Karlatos, who we are introduced to in a provocative, if cringe-inducing sequence in which we observe her sitting in a bathtub and attaching electrical wires to her nipples and genitals then torturing herself by turning on the current. Why is she doing this? It seems that her character, Galai, is an attractive young Algerian immigrant living in Paris. She has fallen under the spell of a mysterious and unseen political anarchist named Hamdias, who wants to wreak havoc against French colonialism in Algeria. This is to be achieved through terrorist acts that he is grooming Galai to carry out via instructions on the phone and cassette tapes. He also fancies himself an important filmmaker and is trying to raise funds for a political thriller starring Galai in the leading role. The film runs into the usual dilemma that real life independent producers must endure: the funding keeps running out but Galai becomes obsessed with ensuring that the movie is completed. Hamidias envisions incorporating perverse sexual abuse into the story line and he finds a willing leading lady in Galai, who enthusiastically submits herself to self-imposed "training sessions" in which she performs torture on her own body, all the better to please her producer/director/lover by giving the most genuine performance possible. The graphic opening sequence of this abuse is difficult to watch but the film quickly delves into a virtually incomprehensible look at the psychological tortures Galai is facing. Seems that Hamdias enjoys playing head games with her psyche and issuing increasingly dangerous demands including carrying out dry runs for terrorist bombings. She constantly vents to herself about her disdain for him, but it becomes clear that not only is she completely submissive to his whims, he is also holding their child as a virtual hostage to ensure she carries out his demands. That's about all I could ascertain from the confusing story line which at times is completely incomprehensible. There are films within films, sarcastic scenes that denounce the French elite and occasional sequences in which Galai is subjected to sexual abuse at the hands of military captor. There is abundant full female nudity but none of it is presented in an erotic manner and in one particularly awful scene one of Galai's would-be lovers vomits on her bare chest. While Philipe waits for Johan to come out of jail he starts recreating several moments of their relationship with the help of several friends during the summer of 1975. 香港渔民反抗封(👰)(fē(🥛)ng )建势力(🙍)和(hé )地方豪绅(shēn )压迫的(🆚)故(gù )事(🐢)。海叔(shū )一家人住(✴)(zhù(🐥) )在一个(🎾)小(xiǎo )渔村里以(yǐ )打渔为(🚞)生(shēng )，老(📂)老实(shí )实(shí )，逆来顺(🚃)(shùn )受(🚤)。地(🍎)方(fāng )豪绅鲨鱼(yú )口愚弄(🕗)渔(yú )民(🈴)压(👬)榨渔(yú )民的辛苦(kǔ )所(🍫)得(🎥)，当(dāng )时渔船换(huàn )代，帆浆(🍷)(jiāng )被新(🏈)的(💎)螺旋浆取代，渔民无力(❕)独(🧜)立支付(💕)此笔费用，纷纷贷(dài )款，而(📍)渔(yú )民又不了(le )解贷款的(🕡)(de )风(⭕)险，不少(🗡)渔民因此破产，鲨(shā )鱼口(🥨)利用(yò(💏)ng )渔民文化(huà )水平低(🕔)思(sī )想(🥖)保守不(bú )愿与政府(fǔ )交(❓)往的机(🏜)(jī )会，放高(gāo )利贷，渔(🐨)(yú )民(🦎)更(🌔)是债(zhài )务(wù )缠身只能(né(🏈)ng )卖儿卖(⛔)女(🤛)(nǚ )，海叔有(yǒu )一个女儿(✌)(é(📡)r )阿娣非常(cháng )漂亮，她(tā )与(🏯)邻家的(🚹)(de )男(♍)孩阿龙(lóng )定下亲事(shì(🍽) )，阿(😵)龙是一(🤰)个进步青年，领导渔民与(🗨)想强占渔村的奸商斗(dò(🥂)u )争(🍨)，二人(ré(🏓)n )本来准备(bèi )结婚，但(dàn )是(🐯)阿龙因(📖)为嫁妆羞于开口，海(🗡)(hǎi )叔欠(😼)了债(zhài )，鲨鱼口(kǒu )为了安(🚁)抚(fǔ )阿(💄)龙不要(yào )闹事，答(dá(🈂) )应借(🕝)阿(🎡)龙(lóng )钱结婚，海叔也可(kě(📝) )有用彩(🏠)礼(🏈)(lǐ )钱(qián )还债，但(dàn )是要(🤽)海(🎛)叔(shū )保证阿龙(lóng )不再闹(💼)事(shì )，阿(🏑)龙(🌛)拒(jù )绝了这个(gè )要求(🏅)，但(🚆)(dàn )是海(💙)叔也(yě )因还不起(qǐ )贷款(⬇)不得不被拖走渔船，淫媒(📱)珍(🎬)妈和鲨(🗄)鱼口串通(tōng )想骗阿娣(dì(🕣) )去卖身(👕)赚(zuàn )钱，阿娣(dì )为了(😹)海叔(shū(🏽) )无奈向珍妈借钱答应珍(🌔)妈的条(🕍)(tiáo )件，村里(lǐ )人提议(🤑)阿(ā(🐿) )龙(🍝)和阿娣(dì )私奔，珍(zhēn )妈听(🆎)说后(hò(🔙)u )来(🚿)抢阿娣(dì )，被众人(rén )喝(🐉)退(🎐)，海(hǎi )叔为了尽(jìn )快(kuài )还(🔭)珍妈钱(✂)(qiá(💳)n )，冒险在(zài )台风前出(chū(🔱) )海(😺)，阿龙(ló(👾)ng )也追上海(hǎi )叔同行，台风(😹)过后(hòu )渔村满目(mù )疮痍(🎃)，奸(🎣)(jiān )商却(🕚)借口清理灾区强占渔村(⏫)，众人都(📝)为海叔一家(jiā )担心(🆎)，鲨(shā )鱼(🧀)口和珍(zhēn )妈又来幸(xìng )灾(🛄)乐祸，正(🤮)当此时海叔归来，原(📽)来他(🍉)们(🎧)(men )遇难后被(bèi )内定军民(mí(⬛)n )所救，海(🤓)(hǎ(🕢)i )叔终于明(míng )白逆来顺(🌙)(shù(🚘)n )受只能受(shòu )人宰割，加入(👔)了阿(ā(🥗) )龙(⤵)反抗压迫(pò )的斗争中(🐰)(zhō(🔫)ng )。 大宋仁(🕠)(rén )宗年间，风调雨顺(shùn )，国(🏋)泰民(mín )安，惟天(tiān )子皇叔(🥢)里(✴)(lǐ )阳王(🌭)赵珏(jué )心存歹念(niàn )，勾结(🏵)君山飞(❕)钗太保钟雄、黑狼(💟)山金面(🏦)神蓝萧据(jù )水旱两路(lù(📅) )，意图不(🎒)(bú )轨。里阳(yáng )王义子(🥟)杭(há(🐃)ng )州(💔)霸王庄庄主罗强特派庄(💙)内高(gā(🀄)o )手(⛳)花蝴蝶(dié )花冲带人(ré(🆔)n )潜(🍡)入大内(nèi )盗取金龙(lóng )珍(🤘)珠冠待(🥌)(dà(🌝)i )事成之后(hòu )作为献礼(⏩)(lǐ(📦) )以取悦(👟)襄(xiāng )阳王。 第二(èr )次世界(🐇)大(dà )战的时候(hòu ),1940年在一(📢)个(🕦)(gè )法国(🔰)南部(bù )小镇上发(fā )生的(😤)故事(shì(🔍) )。艾丽安(ān )那是经营(🏩)(yíng )自己(🕢)药店(diàn )的一个大学教授(🍽)的妻子(📚)，她抗拒不了来自在(🖥)药店(🧡)(dià(⚫)n )里打杂的(de )很有心计(jì )的(🏸)阿鲁曼(📉)(mà(🐍)n )的骚扰，结果一步步走(📸)向(🐞)肉欲的深渊。无能的丈(zhà(🏬)ng )夫，无辜(❕)(gū )的女儿，失去理智(zhì )的(🍷)妻(♊)子，充满(🕖)欲望(wàng )和野心的(de )阿鲁曼(🦁)，在炮火纷飞(fēi )的战争年(🍒)(niá(⏮)n )代构成(🌻)了(le )一道奇异(yì )的风景。